Oblivion1972/7Reflective piano & orchestral strings building into big panoramic theme
2:2880 BPM
Track 1972/7Oblivion
Igor Dvorkin (PRS) | Duncan Pittock (PRS) | Ellie Kidd (PRS) From the album Thoughtful & Emotional StringsReflective piano & orchestral strings building into big panoramic theme
One main track with multiple mixes. Download all 20 mixes of this track.
- Oblivion 21972/68Reflective piano & building orchestral strings. No percussion or sound design2:2880 BPM
- Oblivion 31972/69Reflective, building orchestral strings. No percussion or sound design2:2880 BPM
- Oblivion 41972/70Reflective, atmospheric solo piano2:2780 BPM
- Oblivion 51972/71Reflective orchestral strings building into panoramic theme2:2580 BPM
- Oblivion 6 (60)1972/72Reflective piano with panoramic orchestral strings1:0080 BPM
- Oblivion 7 (60)1972/73Reflective piano with panoramic strings. No perc or sound design1:0080 BPM
- Oblivion 8 (60)1972/74Reflective, panoramic orchestral strings1:0080 BPM
- Oblivion 9 (60)1972/75Reflective, panoramic orchestral strings. No percussion or sound design1:0080 BPM
- Oblivion 10 (30)1972/76Reflective piano with panoramic orchestral strings0:3080 BPM
- Oblivion 11 (30)1972/77Reflective piano with panoramic strings. No perc or sound design0:3080 BPM
- Oblivion 12 (30)1972/78Reflective, panoramic orchestral strings0:3080 BPM
- Oblivion 13 (30)1972/79Reflective, panoramic orchestral strings. No percussion or sound design0:3080 BPM
- Oblivion 141972/80Atmospheric, reflective piano with orchestral strings. End section0:2080 BPM
- Oblivion 151972/81Reflective orchestral strings. End section, no percussion or sound design0:2080 BPM
- Oblivion 161972/82Reflective, atmospheric solo piano0:2080 BPM
- Oblivion 17 (Sting)1972/83Sting with reflective piano & orchestral strings0:1280 BPM
- Oblivion 18 (Sting)1972/84Sting with reflective orchestral strings0:1180 BPM
- Oblivion 19 (Sting)1972/85Reflective, atmospheric solo piano sting0:1180 BPM
- Oblivion 20 (Sting)1972/86Orchestral strings Am end chord sting0:0780 BPM
