Track 1926/17Na Socha Na Samjha 3

Romantic, retro Bollywood underscore with ethnic percussion & instruments

Na Socha Na Samjha1926/2
Ruhan Kapoor (PRS)Sidhant Kapoor (PRS)
8 mixesRomantic, retro Bollywood ghazal with male vocal, sitar, harmonium & tabla

4:19130 BPM
Na Socha Na Samjha 21926/16
Ruhan Kapoor (PRS)Sidhant Kapoor (PRS)
8 mixesRomantic, retro Bollywood instrumental with harmonium melody, sitar & tabla

4:19130 BPM
Na Socha Na Samjha 31926/17
Ruhan Kapoor (PRS)Sidhant Kapoor (PRS)
8 mixesRomantic, retro Bollywood underscore with ethnic percussion & instruments

4:18130 BPM
Na Socha Na Samjha 4 (60)1926/18
Ruhan Kapoor (PRS)Sidhant Kapoor (PRS)
8 mixesRomantic, retro Bollywood instrumental with sitar melody, tabla & harmonium

1:00130 BPM
Na Socha Na Samjha 5 (30)1926/19
Ruhan Kapoor (PRS)Sidhant Kapoor (PRS)
8 mixesRomantic, retro Bollywood song with male vocal, sitar, harmonium & tabla

0:30130 BPM
Na Socha Na Samjha 6 (Sting)1926/20
Ruhan Kapoor (PRS)Sidhant Kapoor (PRS)
8 mixesSting with romantic sitar & warm pads

0:06130 BPM
Na Socha Na Samjha 7 (Sting)1926/21
Ruhan Kapoor (PRS)Sidhant Kapoor (PRS)
8 mixesSting with tabla played in jhapki style

0:04130 BPM
Na Socha Na Samjha 8 (Sting)1926/22
Ruhan Kapoor (PRS)Sidhant Kapoor (PRS)
8 mixesMinimal Indian hand drum sting

0:04130 BPM

Key: G
Metre: 4/4
Tempo: 130 BPM
Tempo notes: Slow
Factoid: Ghazal is a semi-classical genre of Indian music with very meaningful poetry. It was popularly used in Bollywood through the 1950s & 60s and is still occasionally used today. This is a romantic ghazal in which the singer expresses how he fell in love without realising. The vocal is performed by Ruhan Kapoor and was written by Mir Taqi Mir who is often remembered as 'Khuda-e-sukhan (God of poetry).