Fairy Ring 13 (30) | Audio Network UK

Fairy Ring1959/4
Tim Garland (PRS)
15 mixesCeltic drum with spirited choir & violin

3:05110 BPM
Fairy Ring 21959/42
Tim Garland (PRS)
15 mixesCeltic drum with spirited choir

3:05110 BPM
Fairy Ring 31959/43
Tim Garland (PRS)
15 mixesCeltic drum with spirited choir. Simplified choir

3:02110 BPM
Fairy Ring 41959/44
Tim Garland (PRS)
15 mixesSpirited choir & violin with edit points & no build

3:01110 BPM
Fairy Ring 51959/45
Tim Garland (PRS)
15 mixesChoir with Celtic drum & violin. Unresolved ending

2:04110 BPM
Fairy Ring 61959/46
Tim Garland (PRS)
15 mixesCeltic drum with spirited choir & violin. Alt version, unresolved end

2:04110 BPM
Fairy Ring 7 (60)1959/47
Tim Garland (PRS)
15 mixesCeltic drum with spirited choir & violin

1:00110 BPM
Fairy Ring 8 (60)1959/48
Tim Garland (PRS)
15 mixesCeltic drum with spirited choir & ambient glockenspiel

1:00110 BPM
Fairy Ring 9 (60)1959/49
Tim Garland (PRS)
15 mixesStill choir sing in textured voices. No drum or violin

1:00110 BPM
Fairy Ring 10 (60)1959/50
Tim Garland (PRS)
15 mixesAmbient spirited choir. Light arrangement with bare fifths

1:00110 BPM
Fairy Ring 111959/51
Tim Garland (PRS)
15 mixesVirtuoso meandering solo violin with plenty of ambience

0:39110 BPM
Fairy Ring 12 (30)1959/52
Tim Garland (PRS)
15 mixesCeltic drum with spirited choir & violin. Builds

0:30110 BPM
Fairy Ring 13 (30)1959/53
Tim Garland (PRS)
15 mixesSpritely choir sing a capella

0:30110 BPM
Fairy Ring 14 (Sting)1959/54
Tim Garland (PRS)
15 mixesTriumphant choral & percussion burst

0:07110 BPM
Fairy Ring 15 (Sting)1959/55
Tim Garland (PRS)
15 mixesTriumphant choral burst

0:07110 BPM

Artists & Composers: Tim GarlandPRS: 00160434400, 100%
Publishers: Audio Network Rights LimitedPRS: 01159006470, 100%
ISWC: T9159816269
ISRC: GB-FFM-13-95953
GVL Label Code: 27831
Release Year: 2013

Key: Am
Metre: 4/4
Tempo: 110 BPM
Tempo notes: Slow
Factoid: The Celtic drum, traditionally labelled the bodhrán is an Irish frame drum. A goatskin head is tacked to one side with the other left open-ended for one hand to be placed against the inside of the drum head to control its pitch and timbre.

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