



Terry Devine-King
Terry Devine-King (PRS)Prolific composer creating everything from blockbusters to sweeping panoramas.
Selected Albums
- Peak To PeakUplifting string patterns with sprightly orchestra, enchanting harp, flute, marimba and percussion.

- Percussive ImpactRamping up the tension are twisted synth textures, tense strings, brass and drones.

- City DecayIndustrial drums drive this atmospheric album of trippy textures and haunting female vocals.

- Candid RealityPlayful pizzicato & mischievous dramedy strings, electrobeat grooves, marimba & quirky synths.

Latest Tracks
Vital Line4682/1Tense classical strings with metronomic plucked violin & eerie piano build throughout to a frenetic ending2:10
Classical Venture4682/2Tense, dark & dramatic classical chamber strings build to an urgent climax 2:57
Sovereign Power4682/3Tense, driving & dramatic classical chamber strings with mysterious violin solo & celeste2:08
Crossing The Rubicon4682/4Grandiose, purposeful classical chamber strings with spirited violin lead. Builds to a dramatic climax2:23
Enchanting Light4682/5Majestic & dramatic up-tempo classical chamber strings featuring dynamic violin solo 2:09
Political Change4682/6Dynamic & emotional chamber strings with sparse low drums. Tense, dramatic drama2:13
Reserve Judgement4682/7Slow & stately classical strings build with plaintive solo violin & mysterious piano. Sense of urgency develops from 1:032:05
Traumatic Event4671/1Tense & dramatic emergency action drama with dynamic pulsing synths, ringing aluphone riffs & percussion2:24
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The story behind the sound
Sonic world-builder Terry Devine-King crafts scores for everything from Reality TV to blockbuster films. Terry cut his teeth as a session keyboard player. Style agnostic, this allowed Terry to learn from and incorporate a variety of genres. Initially informed by Classical in his teens, his focus shifted to Jazz, before continuing his musical journey into Latin, Orchestral, and beyond, with rhythm providing the driving force to his work. At home in front of a crowd, when playing with The Cutting Crew and The Style Council, as well as writing music for the Royal Philharmonic Orchestra, fifty-piece choirs, and recording at Abbey Road Studios.