ConflictsTense, foreboding military orchestra; heroic brass fanfare combines with strings & military snare
Terry Devine-King
Terry Devine-King (PRS)
Prolific composer creating everything from blockbusters to sweeping panoramas.
Selected Albums
- ConflictsTense, foreboding military orchestra; heroic brass fanfare combines with strings & military snare
Gold In TokyoTriumphant orchestral, mystical Japanese instruments, choir and taiko drums 
SupernovaEpic orchestral themes with choral vocals, awe-filled builds & dramatic climaxes
50s Rock 'n' RollNostalgic 50s rock ‘n’ roll with twangy guitar leads and 12 bar baselines
Latest Tracks
- Light Matter4443/1Smooth sweeping strings with light woodwind, delicate piano & rhythmic pizzicato pulse. Positive with forward motion aplenty2:24
- Flying Strings4443/2Stately positive theme featuring energetic strings & distinguished piano. Builds throughout to a dramatic finale2:06
- High Finance4443/3Vibrant purposeful orchestral strings, woodwind & piano. Industry, business or current affairs-style theme2:31
- Interchange4443/4Slow driving rhythmic strings with calm sweeping violins, mesmeric woodwind ostinato, delicate piano & marimba2:16
- Unquestioned4443/5Self-assured string & woodwind section with sedate piano. Important, businesslike & haughty2:19
- Industry Standard4443/7Choppy industrious strings with bright piano motifs, rhythmic tuned percussion & held woodwind chords2:38
- Fortitude4192/1Positive, uplifting & purposeful string orchestra with piano, harp & percussion. Builds to big finale2:26
The story behind the sound
Sonic world-builder Terry Devine-King crafts scores for everything from Reality TV to blockbuster films. Terry cut his teeth as a session keyboard player. Style agnostic, this allowed Terry to learn from and incorporate a variety of genres. Initially informed by Classical in his teens, his focus shifted to Jazz, before continuing his musical journey into Latin, Orchestral, and beyond, with rhythm providing the driving force to his work. At home in front of a crowd, when playing with The Cutting Crew and The Style Council, as well as writing music for the Royal Philharmonic Orchestra, fifty-piece choirs, and recording at Abbey Road Studios.