Convocation3010/6Michael Levine (ASCAP)Bijan Olia (BMI)20 mixesBouncy but serious piano & strings build in urgency to an exciting finish 2:34100 BPM
Convocation 23010/78Michael Levine (ASCAP)Bijan Olia (BMI)20 mixesBouncy but serious piano & strings build to an exciting finish. No fx 2:34100 BPM
Convocation 33010/79Michael Levine (ASCAP)Bijan Olia (BMI)20 mixesBouncy but serious piano with fx builds in urgency to an exciting finish 2:34100 BPM
Convocation 43010/80Michael Levine (ASCAP)Bijan Olia (BMI)20 mixesBouncy but serious piano builds in urgency to an exciting finish. No fx 2:34100 BPM
Convocation 53010/81Michael Levine (ASCAP)Bijan Olia (BMI)20 mixesUrgent, serious strings build to an exciting finish 2:23100 BPM
Convocation 63010/82Michael Levine (ASCAP)Bijan Olia (BMI)20 mixesUrgent, serious strings with fx build to an exciting finish 2:22100 BPM
Convocation 7 (60)3010/83Michael Levine (ASCAP)Bijan Olia (BMI)20 mixesBouncy but serious piano & strings build in urgency to an exciting finish 1:00100 BPM
Convocation 8 (60)3010/84Michael Levine (ASCAP)Bijan Olia (BMI)20 mixesBouncy but serious piano & strings build to an exciting finish. No fx 1:00100 BPM
Convocation 9 (60)3010/85Michael Levine (ASCAP)Bijan Olia (BMI)20 mixesMysterious strings & fx opening into tense exciting finish 1:00100 BPM
Convocation 10 (60)3010/86Michael Levine (ASCAP)Bijan Olia (BMI)20 mixesBouncy but serious piano with fx builds in urgency to an exciting finish 1:00100 BPM
Convocation 11 (60)3010/87Michael Levine (ASCAP)Bijan Olia (BMI)20 mixesBouncy but serious piano builds in urgency to an exciting finish. No fx 1:00100 BPM
Convocation 12 (60)3010/88Michael Levine (ASCAP)Bijan Olia (BMI)20 mixesMysterious stings build to a tense & dramatic climax. No fx 1:00100 BPM
Convocation 13 (30)3010/89Michael Levine (ASCAP)Bijan Olia (BMI)20 mixesBouncy but serious piano & fx builds with strings to an exciting finish 0:30100 BPM
Convocation 14 (30)3010/90Michael Levine (ASCAP)Bijan Olia (BMI)20 mixesBouncy but serious piano builds with strings to an exciting finish. No fx 0:30100 BPM
Convocation 15 (30)3010/91Michael Levine (ASCAP)Bijan Olia (BMI)20 mixesFlocking birds sfx with high strings leads to tense building strings climax 0:30100 BPM
Convocation 16 (30)3010/92Michael Levine (ASCAP)Bijan Olia (BMI)20 mixesBouncy piano with flocking birds sfx builds to tense climax 0:30100 BPM
Convocation 17 (30)3010/93Michael Levine (ASCAP)Bijan Olia (BMI)20 mixesBouncy but serious piano builds to tense & exciting climax. No fx 0:30100 BPM
Convocation 18 (30)3010/94Michael Levine (ASCAP)Bijan Olia (BMI)20 mixesMysterious stings build to tense & dramatic climax. No fx 0:30100 BPM
Convocation 19 (Sting)3010/95Michael Levine (ASCAP)Bijan Olia (BMI)20 mixesDramatic strings & piano ending sting 0:07100 BPM
Convocation 20 (Sting)3010/96Michael Levine (ASCAP)Bijan Olia (BMI)20 mixesExciting strings sting 0:04100 BPM
Dawning Day 22258/10David Kelly (PRS)14 mixesPositive piano above pulsing strings. No electronic beats 3:03147 BPM
Loch Raven3626/2Bijan Olia (BMI)Michael Levine (ASCAP)10 mixesPurposeful flowing piano & driving minimalist strings build in urgency to a dramatic climax 2:20180 BPM
Over The River3626/1Michael Levine (ASCAP)Bijan Olia (BMI)11 mixesUrgent, dramatic minimalist strings & piano build to an exciting climax 2:15170 BPM
Questions3616/5Hugo Martinez-Garcia (PRS)10 mixesDark, chaotic piano, pizzicato strings & mallet patterns build with cello & strings to tense finale 2:5283 BPM
Resolution Process 22789/53John Ashton Thomas (PRS)12 mixesUrgent, driving strings & sombre piano mix. No harp, flute or percussion 2:38170 BPM
Through The Wood3626/6Michael Levine (ASCAP)Bijan Olia (BMI)11 mixesTense, driving piano & strings build in urgency to an anxious climax 2:35180 BPM
Time's Arrow1858/1Oliver Ledbury (PRS)9 mixesConstantly moving, slowly evolving minimalism. Features piano 2:29113 BPM