Leave Taking3000/7Creepy textures lead to mysterious pulsing bass, violin, strings & mallets
3:23110 BPM
Track 3000/7Leave Taking
Creepy textures lead to mysterious pulsing bass, violin, strings & mallets
Evelyn Glennie (PRS) | Michael Levine (ASCAP) From the album Double Crossings- Leave Taking 23000/116Creepy textures & mallets build with urgent electric violin to eerie ending3:23110 BPM
- Leave Taking 33000/117Creepy textures build with dark & mysterious mallet perc to eerie ending3:23110 BPM
- Leave Taking 43000/118Creepy textures build with mysterious mallets & brass swells to eerie end3:23110 BPM
- Leave Taking 53000/119Creepy textures & mallets lead to mysterious strings & eerie ending3:23110 BPM
- Leave Taking 6 (60)3000/120Mysterious strings & mallet percussion build to climactic finish1:00110 BPM
- Leave Taking 7 (60)3000/121Mysterious strings & mallets build with bass pulse to climactic finish1:00110 BPM
- Leave Taking 8 (30)3000/122Mysterious strings, electric violin & bass pulse build to climactic finish0:30110 BPM
- Leave Taking 9 (30)3000/123Mysterious mallet percussion & pads0:30110 BPM
- Leave Taking 10 (30)3000/124Mysterious strings, pads & electric violin build to revelatory climax0:30110 BPM
- Leave Taking 11 (30)3000/125Revelatory strings, pads & vibes0:30110 BPM
- Leave Taking 12 (30)3000/126Mysterious strings, mallets & bass pulse build to revelatory ending0:30110 BPM
- Leave Taking 13 (30)3000/127Mysterious strings, electric violin & bass pulse build to revelatory ending0:30110 BPM
- Leave Taking 14 (Sting)3000/128Ominous percussion swell sting0:16110 BPM
- 0:09110 BPM
- Leave Taking 16 (Sting)3000/130Light & mysterious bell sting0:06110 BPM
