Dead Drop 2 | Audio Network UK

Dead Drop2592/3
Sam Wedgwood (PRS)
12 mixesDriving orchestral strings build in tension & suspense from dramatic intro

1:43115 BPM
Dead Drop 22592/30
Sam Wedgwood (PRS)
12 mixesDramatic orchestral strings build in tension & suspense to climactic ending

1:01115 BPM
Dead Drop 3 (60)2592/31
Sam Wedgwood (PRS)
12 mixesDriving orchestral strings emerge from dramatic intro to tense finale

1:00115 BPM
Dead Drop 4 (30)2592/32
Sam Wedgwood (PRS)
12 mixesDramatic orchestral stings build to tense, climactic ending

0:30115 BPM
Dead Drop 5 (30)2592/33
Sam Wedgwood (PRS)
12 mixesDramatic orchestral strings build in tension & suspense to climactic ending

0:30115 BPM
Dead Drop 6 (30)2592/34
Sam Wedgwood (PRS)
12 mixesTense, chugging orchestral strings build to climactic finale

0:30115 BPM
Dead Drop 7 (30)2592/35
Sam Wedgwood (PRS)
12 mixesDriving orchestral strings build with lilting violin topline

0:30115 BPM
Dead Drop 8 (Sting)2592/36
Sam Wedgwood (PRS)
12 mixesSting with tense & dramatic orchestral strings

0:12115 BPM
Dead Drop 9 (Sting)2592/37
Sam Wedgwood (PRS)
12 mixesSting with driving orchestral strings

0:07115 BPM
Dead Drop 10 (Sting)2592/38
Sam Wedgwood (PRS)
12 mixesTense & dramatic orchestral strings ending sting

0:07115 BPM
Dead Drop 11 (Sting)2592/39
Sam Wedgwood (PRS)
12 mixesSuspenseful orchestral strings ending sting

0:08115 BPM
Dead Drop 12 (Sting)2592/40
Sam Wedgwood (PRS)
12 mixesEdgy orchestral strings sting

0:05115 BPM

Key: Cm
Metre: 4/4
Tempo: 115 BPM
Tempo notes: Medium
Factoid: The tremolo technique in this piece is used by string players to create a trembling feel. It was first used by composer Claudio Monteverdi in 1624.