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Album ANW 4289Reimagined

Paul Dinletir (ASCAP) | Roman Soto (ASCAP) | Daniel Tauber (ASCAP) | Nicholas Steinbach (ASCAP) | Andres Gutierrez Moreno (BMI) | Skylar Nam (BMI) | Jeffrey Gaiser (ASCAP) | Benjamin Knorr (SOCAN)

Modern interpretations of beloved classics by Beethoven, Mozart, Liszt, Satie, Saint-Saëns and Debussy. Harnessing the dynamic power of a live orchestra and choir these iconic compositions benefit from fresh arrangements.

15 tracks
  1. Suite No. 1 in G Major - Prelude4289/1
    Johann Sebastian Bach - Arr. Paul Dinletir (ASCAP) | Roman Soto (ASCAP)
    2 mixes
    Classical - Quiet cello intro builds with bright string swells; a familiar melody plays as bold brass stabs and driving strings blast forward; building with the epic power of orchestra, pounding drums and choir to a huge, stabbing and exciting outro2:57
  2. Love Theme from Romeo and Juliet4289/3
    Pyotr Ilyich Tchaikovsky - Arr. Paul Dinletir (ASCAP) | Daniel Tauber (ASCAP)
    2 mixes
    Classical - Reverb-laden solo piano plays a warm, romantic motif over a light string drone and booms; strings layer in with gradually swelling brass, epic orchestra building to a soaring, pounding crescendo with glorious choir and massive drums2:21
  3. Un Sospiro4289/5
    Franz Liszt - Arr. Paul Dinletir (ASCAP) | Nicholas Steinbach (ASCAP)
    2 mixes
    Classical - Minimal piano plays sweetly over dissonant drones for a tense, otherworldly atmosphere; haunting, warbling vocals layer behind tremolo strings, swelling with piano, building ominously to an epic, hybrid orchestral back end crescendo2:55
  4. Scherzo Molto Vivace from Symphony No. 94289/7
    Ludwig van Beethoven - Arr. Paul Dinletir (ASCAP) | Andres Gutierrez Moreno (BMI)
    2 mixes
    Classical - Dark brass, stomping drums and a driving pulse layer with a menacing choir, for a swell of urgent tension; a quick cello motif propels a dangerous and exciting middle, building to a bombastic hybrid orchestral back end with epic stabs2:53
  5. Prelude in E minor4289/9
    Frederic Chopin - Arr. Paul Dinletir (ASCAP) | Daniel Tauber (ASCAP)
    Classical - Haunting solo piano plays a sad melody while droning strings swell below with layers of menacing dissonance above; warm strings layer in as the orchestra builds gradually to a tragic climax with sweeping brass and pounding percussion2:44
  6. The Swan4289/10
    Camille Saint-Saens - Arr. Paul Dinletir (ASCAP) | Skylar Nam (BMI)
    2 mixes
    Classical - Magical piano arpeggios dance with an enchanting cello solo; bells chime and an angelic choir set a wondrous scene; it's a family-friendly journey to a beautiful, colorful new world full of dazzling sights and fantastical panoramic views3:03
  7. Prelude in C# minor4289/12
    Sergei Rachmaninoff - Arr. Paul Dinletir (ASCAP) | Nicholas Steinbach (ASCAP)
    2 mixes
    Classical - Dark, foreboding piano strikes over deep bass drones and tense strings for a sparse, ominous intro; drama builds slowly, but relentlessly; buzzing swirls, ominous choir swells, lead to a dangerously epic, driving and powerful back end3:44
  8. Gymnopedie No. 14289/14
    Erik Satie - Arr. Paul Dinletir (ASCAP) | Daniel Tauber (ASCAP)
    2 mixes
    Classical - Minimal solo piano trades with haunting brass blasts and a distant drone, creating a mesmerizing waltz, gradually evolving with warm strings, building steadily with full orchestra, angelic choir and percussion accents to an epic swell3:15
  9. Ave Maria4289/16
    Franz Schubert - Arr. Paul Dinletir (ASCAP) | Andres Gutierrez Moreno (BMI)
    3 mixes
    Classical - Warm strings and mystical, swirling piano arpeggios mix with a beautiful soprano voice and elegant choir; huge orchestral swells lift to a soaring, grand brass melody with epic percussion, to a wondrous, triumphant back end climax3:28
  10. Arabesque4289/19
    Claude Debussy - Arr. Paul Dinletir (ASCAP) | Jeffrey Gaiser (ASCAP)
    2 mixes
    Classical - A sweet piano ostinato intro swells gradually, building towards a warm and emotional cello-led middle; as huge brass blasts in, alternating with romantic strings, a soaring choir and lush orchestra build a sweeping, dramatic climax3:20
  11. Jupiter4289/21
    Gustav Holst - Arr. Paul Dinletir (ASCAP) | Benjamin Knorr (SOCAN)
    2 mixes
    Classical - An elegant cello solo plays mournfully over a dark, low drone, layering with piano, as driving strings propel a serious and regal middle with persistent drums and a rich choir, leading to a sophisticated and epic orchestral back end swell2:51
  12. In the Steppes of Central Asia4289/23
    Aleksandr Borodin - Arr. Paul Dinletir (ASCAP) | Benjamin Knorr (SOCAN)
    2 mixes
    Classical - Warm piano and light strings lead this tender, yet energetic piece. Orchestral swells build with bold brass and exciting percussion over staccato ostinatos, lush choir, driving towards a sweeping and inspirational back end build2:25
  13. Lacrimosa4289/25
    Wolfgang Amadeus Mozart - Arr. Paul Dinletir (ASCAP) | Daniel Tauber (ASCAP)
    2 mixes
    Classical - Haunting choir and ominous drones slide in a tense and darkly mysterious intro; epic hybrid orchestra with driving bass pulse slams with evil, menacing brass and pounding drums; a dramatic climax soars with emotion and deadly importance2:45
  14. Meditation from Thais4289/27
    Jules Massenet - Arr. Paul Dinletir (ASCAP) | Jeffrey Gaiser (ASCAP)
    Classical - Contemplative solo piano plays a sweet motif over subtly tense strings and darkly anticipatory low end booms and synth bass bends; orchestral tension swells gradually while elegant cello bends signal the danger beneath the calm2:48
  15. Piano Concerto No. 14289/28
    Pyotr Ilyich Tchaikovsky - Arr. Paul Dinletir (ASCAP) | Skylar Nam (BMI)
    2 mixes
    Classical - Dark drones and tense piano layer with ominous low synth bass pulses; a shrill string rise leads to a melancholy middle, swelling with grand emotion as the timeless, romantic melody is revealed, building to a soaring and dramatic climax2:55

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