The Wicked Will Rot

Album ANW 4637The Wicked Will Rot

Steffan Koch (ASCAP) | Stuart Roslyn (PRS) | Matthew Foundling (PRS) | Kevin Rix (ASCAP) | Sergiu Muresan (PRS) | Paul Dinletir (ASCAP) | Danail Getz (ASCAP) | Harry Lightfoot (PRS) | Martyn Corbet (BMI) | Dirk Leupolz (GEMA) | Gregory Smith (BMI)

Rachet up the tension with horror soundscapes hewn from dissonant instrumentation and frightening fx. Features swarms of chaotic strings, deep bass blasts and glitchy synth squalls.

34 tracks

  1. Decapitation
    Decapitation4637/1
    Steffan Koch (ASCAP)
    A long, descending string moan leads to sharp, evil orchestral stab clusters, littered with swarms of chaotic strings, ultimately stabbing brutally and relentlessly to a horrific climax
     
    2:08
  2. What the Conductor Saw
    What the Conductor Saw4637/2
    Stuart Roslyn (PRS)Matthew Foundling (PRS)
    Creepy, panning string plucks create tense, constant movement ending in low booms and raw, squealing violin stabs; clicking ticks and violent stabs layer with a minimal yet menacing piano motif; deadly drum and low synth hits signal the onset of evil
     
    2:2190 BPM
  3. A Plague of Locusts
    A Plague of Locusts4637/3
    Kevin Rix (ASCAP)
    Psychotic string stabs bounce over buzzing tones; deep bass blasts and glitchy synth squalls slice through with tense, demonic violins, ratcheting up to an intense outro
     
    1:47128 BPM
  4. Sacrilege
    Sacrilege4637/4
    Sergiu Muresan (PRS)
    Creepy buzzing flies and a menacing, bending tone lay over ticking clicks and raw string slides; layers of metallic creaks, low heart beats and evil FX rock and sway rhythmically to a bloody climax
     
    1:36120 BPM
  5. Treacherous Gaze
    Treacherous Gaze4637/5
    Paul Dinletir (ASCAP)Stuart Roslyn (PRS)
    Deadly atmospheres rumble beneath dissonant textures and slicing breaths while low rumbles pound; jarring stabs of synth distortion cut through, creating panic and terror; bleak bass pulses and squealing synths build a rhythmic, stabbing, evil climax
     
    2:0680 BPM
  6. The Power of Christ Compels You
    The Power of Christ Compels You4637/6
    Danail Getz (ASCAP)
    Dank, cave like echoes, atonal strings and evil orchestral swells rise with dark, ominous tension. Trembling, swirling strings buzz and swarm, rising to a stabbing attack on an innocent soul
     
    2:0870 BPM
  7. Shipyard Symphony
    Shipyard Symphony4637/7
    Kevin Rix (ASCAP)
    Foggy rumbles drone under creaking FX and distorted blasts; evil whispers devise a deadly plot while murderous strings stab with cruel percussion accents; crunching, builds rhythmically with bones cracking over detuned guitar strings and huge hits
     
    1:35120 BPM
  8. The Parasitic Twin
    The Parasitic Twin4637/8
    Harry Lightfoot (PRS)
    Disorienting string plucks and mysterious FX interplay with a swelling synth pulse and deep booms; squealing metallic clangs and distorted, buzzing synth gongs create a rhythmic, building climax, swelling with a frenzied intensity.
     
    2:04120 BPM
  9. Just A Friendly Reminder
    Just A Friendly Reminder4637/9
    Martyn Corbet (BMI)
    Simple, minimal piano note with dissonant, raw strings create immediate, visceral tension, swelling up creepily to intense synth blasts building fear rhythmically with huge percussive blasts and tense metallic groans and organic breaths
     
    2:01122 BPM
  10. My Bloody Valentine
    My Bloody Valentine4637/10
    Paul Dinletir (ASCAP)
    Uncomfortable buzzing and low textures slice over rumbling heartbeats and a distant scream; dark, low, distorted brass blasts lead to a sparse, tense pulsing build, with squealing high FX and a long rise
     
    2:41120 BPM
  11. Rosemary's Baby
    Rosemary's Baby4637/11
    Steffan Koch (ASCAP)
    Deep booms and sparse loops layer with atonal thumb piano; creepy squealing FX and deadly textures fill the air, while a dark pulse builds with static glitches and a panning ticking tone, building with an evil glee to a bloodbath ending
     
    2:31
  12. Prelude to a Massacre
    Prelude to a Massacre4637/12
    Kevin Rix (ASCAP)
    Evil, low piano stabs and a demonic choir entrances dangerously, while menacing cello strikes set a deadly scene; swirling, chaotic string squalls layer in with a high, whirling pad, building rhythmically with layers of utter orchestral terror
     
    2:17120 BPM
  13. Blighted Fruit
    Blighted Fruit4637/13
    Dirk Leupolz (GEMA)
    Light, string plucks play deceivingly over an ominous swelling drone, while abstract hits, echoing buzzes and creepy squeals distract attention; rises up to massive hits with evil, skittering laughter, terrified screams and murderous cello clusters
     
    3:28123 BPM
  14. The Dance of Death
    The Dance of Death4637/14
    Gregory Smith (BMI)
    Scratchy textures flick across an ominous drone, while a tuneless violin scrapes a mysterious, creepy march; deep booms and a dark bass line anchor an accelerating rhythm, building to an intense climax
     
    2:10110 BPM
  15. Musca
    Musca4637/15
    Sergiu Muresan (PRS)
    Deadly string slices and a haunting low pad layer with crunchy, tense FX; buzzing flies swell in and around while the orchestra stabs with deadly, murderous precision, building relentlessly with glitchy synth textures to an insane, brutal climax
     
    2:18120 BPM
  16. From the Woods
    From the Woods4637/16
    Paul Dinletir (ASCAP)Stuart Roslyn (PRS)
    A distant foghorn bellows while shrill plucked strings and creepy, echoing FX swell with synth pads and eerie winds; a minimal atmosphere builds tensely with random tones and textures, rhythmically slicing with distorted metallics and wooden slams
     
    3:06120 BPM
  17. At the End of the Hallway
    At the End of the Hallway4637/17
    Harry Lightfoot (PRS)
    Deep, echoing footsteps and glitchy textures skitter over low rumbles and an ominous cello drone; creepy, scraping strings scratch and buzz, building with tension and anticipation, with layer upon layer of shrill, relentless evil
     
    2:30120 BPM
  18. Intelligent Artifice
    Intelligent Artifice4637/18
    Paul Dinletir (ASCAP)
    Rumbling, metallic textures meet typewriter tones and FX for a creepy, mechanical intro; sliding strings add to an evil atmosphere with low booms and haunting wind; massive, dissonant stabs slice while huge percussion hits rise to a terrorizing outro
     
    2:35120 BPM
  19. Apathetic Stare
    Apathetic Stare4637/19
    Stuart Roslyn (PRS)
    Urgent alarms and metallic shings slice over low booms and scattered high rings; growling synth pads and vicious percussion accents build to high piano strikes, squealing synths and evil shrieks, rhythmically growing in deadly menace
     
    2:09120 BPM
  20. The Incubus
    The Incubus4637/20
    Dirk Leupolz (GEMA)
    Atonal, sawed strings scratch across this tense intro, building with ominous clustered drum hits; builds up rhythmically with a bass pulse surrounded by trembling, dissonant violins playing a cursed, almost childlike motif
     
    2:13110 BPM
  21. The Die is Cast
    The Die is Cast4637/21
    Kevin Rix (ASCAP)
    Reverse looping FX swell up to a dangerous sonic blast; eerie breaths mix with an ominous drone and evil, clanging metallic stabs, layering chaotically, with a relentlessly deadly anticipation
     
    2:03120 BPM
  22. Rotten Degeneration
    Rotten Degeneration4637/22
    Steffan Koch (ASCAP)
    Creepy, raw cello and violin notes layer over a miserable low drone and skittering FX; disorienting synth textures lead to massive booms, building with dissonant, shrill tones, the echoing wails of misery and relentless, stabbing percussion
     
    2:33
  23. Wendigo
    Wendigo4637/23
    Stuart Roslyn (PRS)
    Creepy, buzzing synths and sporadic textures layer with deep booms and raw cello scrapes; creaking metallic tones and ticking plucks create a tense rhythm, building with sucking loops, shrill highlights and ominous, organic crunches
     
    2:10100 BPM
  24. Gorgos
    Gorgos4637/24
    Sergiu Muresan (PRS)
    From the murky deep, a dank, low cello growls over a rumbling bass pad; visceral breathing and shrieking high noises scatter across, layers of menacing stabs; builds with droning strings and pounding drums, layered with shrill tones and scratches
     
    2:33120 BPM
  25. Necrotic Breath
    Necrotic Breath4637/25
    Paul Dinletir (ASCAP)
    Shimmering ringing scrapes and sharp, buzzing tones scratch over mysterious drones and slicing FX; airy breaths and descending winds lead to panicked breathing and shocks; intensifying with massive rises and slams and distant church bell rings
     
    2:17
  26. Swarming Static
    Swarming Static4637/26
    Harry Lightfoot (PRS)
    Glitchy, static FX, breathy whispers and a creepy drone layer with a dissonant buzz; sporadic drum stabs and clicking tick clusters, powerful blasts and violent cello strikes swell up with dissonant white noise building to a blizzard of intensity
     
    2:0590 BPM
  27. Ornias
    Ornias4637/27
    Stuart Roslyn (PRS)Matthew Foundling (PRS)
    Shrill, chaotic violin stabs make a disorienting intro; layers of buzzing cello and low booms pair with scattered metallic clangs, rhythmic drums and sliding distorted synth wails build up to a chaotic, frenzied outro
     
    2:08146 BPM
  28. Begging Won't Help You Now
    Begging Won't Help You Now4637/28
    Kevin Rix (ASCAP)
    The distant bell tolls while a creepy bed of low drones and trembling strings pan around, creating bleak mystery and tension; time is up for the wretched mortal souls, as their pulse pounds stronger and certain, unkind death creeps ever closer.
     
    2:33120 BPM
  29. Gangrene
    Gangrene4637/29
    Steffan Koch (ASCAP)
    Disorienting keyboard tones and plucked strings create a dangerous and horrifying atmosphere; sparse booms add to the ominous misery; high creaks and squeaking metals layer with animal growls; the anticipation culminates in grisly demise
     
    2:41
  30. Curiosity Kills
    Curiosity Kills4637/30
    Kevin Rix (ASCAP)
    Suspended strings drone with glitchy synth warbles, whooshing FX and creepy tones; deep pulsing synths and low growls beat a rhythmic pulse with intense orchestral stab clusters, creating confusion and chaos, building with skittering high frequencies
     
    2:18120 BPM
  31. Mother Said
    Mother Said4637/31
    Stuart Roslyn (PRS)
    Long, upward bending cello swells to tense, vibrating string stabs, layered with creepy low end FX and high, scattered strings; builds rhythmically with chaotic tension as ticking percussion and looped synths rise with trembling cellos and textures
     
    2:29120 BPM
  32. The Widow's Walk
    The Widow's Walk4637/32
    Harry Lightfoot (PRS)
    Evil, sub bass drones and scraping textures lead to echoing, mysterious FX and dark, rumbling percussion; a shrill, dissonant violin pans across the sound field, building with various strings and tones to create a miserable, terrifying climax
     
    2:2695 BPM
  33. Seesaw
    Seesaw4637/33
    Stuart Roslyn (PRS)Matthew Foundling (PRS)
    Low, bending horns slide down to deep booming hits; creepy, squealing FX and tense, metallic creaks flicker with reverse loops; a mesmerizingly creepy string tone swirls around a low pulse, accelerating to a hypnotic rhythm accented by violent drums
     
    2:30110 BPM
  34. The Haze
    The Haze4637/34
    Sergiu Muresan (PRS)
    High, buzzing strings and distant chirping layer with a dark bass pulse for an ominous intro; slicing strings and deadly percussion accents build rhythmically with dissonant, creaking metallic stabs and organic crunching
     
    1:51100 BPM
trailer music

Featured in Trailer Music

  • 136 Albums

Epic trailer music as featured in some of the world’s biggest movie campaigns, now available exclusively for production music use from Audio Network.

Discover more

More in this collection