Album ANW 4292Percussive Mayhem: Modern Rhythms

Inspired as much by cheerleaders as it is frenzied tribal battle cries and grimy hip hop wobbles, Percussive Mayhem: Modern Rhythms is packed with primal howls, clanging swords and sultry sub bass grooves.

32 tracks

Make Some Noise4292/1
Paul Dinletir (ASCAP)Gonzalo Perez (BMI)
2 mixesUpbeat handclaps signal the call from the wild streets of Brazil; massive drum ensembles dance and riot in the streets joyously with a low percussive breakdown building back up to a frenzied climax

1:45120 BPM
Let's Rock4292/3
Paul Dinletir (ASCAP)Nicholas Steinbach (ASCAP)
Cool, swampy stomp with claps and rising FX, metallics, snaps, and layers of bass create a quirky yet tense rhythm, building with excitement and a frenzied tempo to a huge, chaotic outro

1:15128 BPM
Next Man Up4292/4
Paul Dinletir (ASCAP)Skylar Nam (BMI)Jeffrey Emerson Gaiser (ASCAP)
2 mixesFun stomp clap swinging big band beat builds with a high energy rhythm, layering stick percussion and record scratches, vocal samples and with a massive rise to a huge outro

1:31115 BPM
Trap Encounter4292/6
Paul Dinletir (ASCAP)Gonzalo Perez (BMI)
Dissonant synth bass strikes set a downtempo rhythm as laid back drum loops layer in, building up with a huge stutter rise to a steady beat build

1:34126 BPM
Oddity4292/7
Stuart Roslyn (PRS)
3 mixesMysterious pings and urgent ticks layer with distant synth squalls and frightened human breaths, as piano strikes layer with huge trailer slams and driving drums over a deep bass pad, building relentlessly towards a dark, driving back end climax

1:41118 BPM
Dark Dub Dealings4292/10
Paul Dinletir (ASCAP)Gonzalo Perez (BMI)
Downtempo, grimy bass beat with a scratchy, ticking clock sets a wobbly vibe; layers of FX textures and stomping percussion build with huge, airy rises and distant snares to an intense ending

1:55129 BPM
Moroccan Escape4292/11
Steffan Koch (ASCAP)
Hey hey! Cheerleaders, tribal warriors and workout soldiers alike will find this relentless rhythm irresistible. Massive shouts layer with crazy sitar beats over insistent drums, an intense pulse, a huge rise, building to a frenzied warlike climax

1:29110 BPM
Mexican Syncopation4292/12
Paul Dinletir (ASCAP)Gonzalo Perez (BMI)Nicholas Steinbach (ASCAP)
2 mixesLayers of ticking sticks and pounding trailer triplets, a primal howl swells with a massive rise, stopping down to build up again with layers of wooden percussion, tribal drums and synth squalls, swelling to an intense climax

1:22120 BPM
Back in Town4292/14
Paul Dinletir (ASCAP)Roman Gabriel Soto (ASCAP)
Upbeat stomp drums with claps and rim sticks layer with hollow sounding hits and massive, bending guitar squalls; the back end action intensifies with a driving rhythm, squealing alarms and a huge rise

1:19125 BPM
Lit Up4292/15
Stuart Roslyn (PRS)Matthew Foundling (PRS)
3 mixesSynth bass rhythm sets a quirky, yet compelling rhythm; clicks, synth squalls, pings and a whirring rise weave in as the cue evolves with layers of mid-tempo drive, building to a tense back end with slamming trailer drums

1:4690 BPM
Got Your Back4292/18
Darius Moldovan (APRA)Sergiu Muresan (PRS)
Danger is my middle name. Swagger-laden stomps and claps layer with vicious synth blasts and pounding drums as everything builds together for a tense, urgent and exciting back end build

1:20132 BPM
Drum Major4292/19
Paul Dinletir (ASCAP)Andres Gutierrez Moreno (BMI)
A bawdy stomp clap pattern with marching band snare flair, builds with big percussive energy and huge rises to a massive climax

1:29128 BPM
Potshot4292/20
Cody Still (BMI)
Dangerous, sexy swagger beat with bass swells, gun cocks and layers of claps, snaps, driving synths, metallics and an intense, stabbing back end build

1:4186 BPM
Tip Top4292/21
Martyn Corbet (BMI)
2 mixesA unique percussive rhythm leads the high energy step dance, with uptempo claps, triangle accents and funky synth drums; a driving pulse leads the back end with relentless focus to a huge, rising, stabbing climax

1:32166 BPM
One-Two Punch4292/23
Paul Dinletir (ASCAP)Daniel Tauber (ASCAP)
Stadium stomping meets drum kit funk. Breakdowns with airy swishes, lots of cymbal rides, whips and tambourines swell with a steady, driving beat to a massive rising climax

1:29154 BPM
Hostage Situation4292/24
Steffan Koch (ASCAP)
A compelling rhythm with massive tribal clusters, panning vocalese samples, metallics, fast driving drums and a swelling synth bass pad, breaking down only to whip into a massively frenzied back end

1:43150 BPM
Soundboy4292/25
Paul Dinletir (ASCAP)Gonzalo Perez (BMI)
Wagwan, bruv? A wild grime beat with high synth alarms over deep sub bass drops and garage kicks; builds with a huge rise do a stuttering back end build

1:4392 BPM
Arcade Attack4292/26
Paul Dinletir (ASCAP)Daniel Tauber (ASCAP)
Rapidfire club beat, video game frenzy with speedy synth pulse, retro 808s, driving kit and electronic drums, building with a massive rise to a breathless, explosive outro

1:14151 BPM
Warehouse Rendezvous4292/27
Paul Dinletir (ASCAP)Roman Gabriel Soto (ASCAP)
Noir bass drops and snaps lead to a funky, syncopated drum kit rhythm, building with cymbals, huge booms and layers of percussion accents, swelling with a huge rise to outro

1:34100 BPM
Operation Voodoo4292/28
Stuart Roslyn (PRS)Christopher Elmslie (PRS)
2 mixesMassive, pounding double hit clusters signal it's about to go down. A gritty alarm blares while a driving bass pulse gets our warriors ready for battle. Huge drums layer with snares, massive rises and synth blasts for an energized, dangerous back end

2:04130 BPM
Metal Fatigue4292/30
Stuart Roslyn (PRS)Christopher Elmslie (PRS)
2 mixesTicking and dangerous, this steady beat drives breathlessly towards danger, with gritty pulses, clocks, deep booms and battle-ready snares; alarms blare in the distance as the tribal drums pound a frenzied back end

2:02130 BPM
Burial4292/32
Stuart Roslyn (PRS)Matthew Foundling (PRS)
3 mixesDeep synth pulse sets a dangerous pace, while layers of snaps and quick drums layer in; massive, sliding synth squalls blare as the percussion ramps up, building relentlessly towards an intense, stabbing back end

1:28125 BPM
Rough Landing4292/35
Paul Dinletir (ASCAP)Gonzalo Perez (BMI)
2 mixesA primal howl kicks off a high energy tribal beat; distant vocals create a swirling chatter, rising back to a steady, hip hop tempo, building again with WOO howls and a swagger laden stomp

1:57124 BPM
Live by the Sword4292/37
Martyn Corbet (BMI)
3 mixesA call to arms, as a fierce drum beat rallies our soldiers to unsheathe their swords in allegiance; a gritty, distorted hybrid bass melody and metallic FX drive the high energy action with equal parts fun and danger building to an exciting climax

1:2987 BPM
Life of the Party4292/40
Paul Dinletir (ASCAP)Gonzalo Perez (BMI)
Woop! It's a swagger-laden stomp with a steady marching beat, ticking and tapping over a tribal tempo, building with a massive stuttering rise to a huge ascending build

1:30120 BPM
Evasive Action4292/41
Stuart Roslyn (PRS)Christopher Elmslie (PRS)
2 mixesSlow and menacing, this minimal intro weaves a subtle and mysterious rhythm until layers of squeals and aggressive percussion break the tense calm, building in tension and sonic chaos to a very intense back end

2:1187 BPM
You Got Served4292/43
Darius Moldovan (APRA)
A funky stomp clap beat layers with metallic sounds and gun cocks, swelling with a huge rise, driving trailer percussion, snaps and buzzing synth squalls to a huge, stabbing climax

1:26116 BPM
On the Run4292/44
Paul Dinletir (ASCAP)Gonzalo Perez (BMI)
High energy stadium stomp claps layer with quirky sounds, squeaks, wooden percussion, rattles and a comedic sliding bass; builds to a frenzied, fun party beat with fast drum kit rhythms and a huge rise

1:14120 BPM
Hades' Clock4292/45
Stuart Roslyn (PRS)Christopher Elmslie (PRS)
2 mixesA slow, mysterious rhythm sets a slinky, ominous pace with curious metallic bells and cymbals; layers of pulsing, ticking and texture FX mesh with massive synth swirling, stuttering slides over huge, syncopated drums for a steady intensification

1:51103 BPM
Ancestral Offering4292/47
Paul Dinletir (ASCAP)Benjamin Knorr (SOCAN)
Tribal ticking with booming accents build with insistent snares and clocks, swelling with a huge rise to a relentless, exciting marching build

1:08128 BPM
Die by the Sword4292/48
Cody Still (BMI)
Medieval gets modern as clanging swords and metallic shings layer with driving synth pulses and pounding trailer drums battling it out over a massive rising climax

1:15100 BPM
Bait4292/49
Martyn Corbet (BMI)
2 mixesGritty sub bass pulse sets a sultry, downtempo beat; metallics and funky cymbal accents layer with quick percussive clusters, huge hits, and a distorted bassline, accelerating in tempo and intensity to a stabbing outro

1:37155 BPM

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