Album ANW 4284Banshee

In horror campaigns less is often more. Blending disturbing organic sounds with brutal synth squalls, dank, cavernous booms and vicious percussion, we’ve left lots of room for plenty of horrifying emptiness.

28 tracks

Instrument of Wickedness4284/1
Paul Dinletir (ASCAP)
Quivering, sliding strings and raw, ominous, minimal cello stabs, jarring stabs with piercing screams, knocking, rhythmic pulse and percussive elements with howling wind, rising in panic and a relentlessly shrill, dissonant build

2:13158 BPM
Desolate Bunker4284/2
Kevin Rix (ASCAP)
Minimal, creepy, dissonant tones like distorted piano strings; bleak FX layer in randomly, quivering, tremolo strings, high, distant, swirling pads pierced through by brutal metallic stabs confirming your worst nightmares

2:0298 BPM
Revulsion Manuscript4284/3
Paul Dinletir (ASCAP)Benjamin Knorr (SOCAN)
Voltage overload sparks a blackout with bursts of static shocks and creaks, metallic slams and airy atmospheres, frantic, visceral, scribbling, rhythmic heartbeat pounding rise, organic metal FX, scraping, pounding drum blasts with breathy swell

2:08116 BPM
Unholy Vespers4284/4
Steffan Koch (ASCAP)
Echoing gongs and bending pads with piercing clang hits over deadly synth bass groove; sliding tones mixed with evil FX, building with tension and fear; quick rise up to noisy alarm and distorted synth pulsing blasts, building to a deafening climax

2:30160 BPM
Admonish4284/5
Kevin Rix (ASCAP)
Charged atmosphere disrupted by jarring synth FX, massive creature growls; piercing creaks, huge distorted blasts with rhythmic stomping drums, building to a deadly, painful climax

1:44120 BPM
Everything is Going to Be Just Fine4284/6
Paul Dinletir (ASCAP)Daniel Tauber (ASCAP)
Creepy, sliding, bending tonal atmosphere with rising swells and stabs; low ominous, evil bending bass tone; sharp hits, minimal brass; violent, shrill stabs with huge drums; knocking percussion accelerates with a rise to a bleak end

2:18129 BPM
Mayday4284/7
Steffan Koch (ASCAP)
Vintage recordings of a lost signal somewhere between an alarm and a submerged ping; rising up to a relentless, distant alarm with flashes of terror; a blaring rise leads up to a rhythmic disaster beat, punctuated with drums and layers of urgency

2:28110 BPM
Bean Nighe4284/8
Paul Dinletir (ASCAP)Nicholas Steinbach (ASCAP)
Raw, discordant cello stabs and creepy atmospheres with skittering FX, sliding strings and cello ticks create an evil, organic rhythm, building in intense fear with knocking terror

2:06120 BPM
Keening4284/9
Sergiu Muresan (PRS)
Tweaked knocking, tense FX and creepy pad; plucks; footsteps, sliding & creaking while a shrill shaking string rise swells to piercing heights; dark, menacing drone with tribal percussion and quivering brass blasts make an organic hellscape build

1:47120 BPM
Ruptured Truce4284/10
Sergiu Muresan (PRS)
Bleak pads with tense FX and a long, shrill string rise, building with pings with a screeching string stab and a deep bass drone; layers of churning, pulsing, rising slams and vicious drum blasts build to a brutal climax

2:0196 BPM
Scourged4284/11
Danail Getz (ASCAP)
2 mixesDistant, cavernous chimes, evil winds and bleak pings build with a blood curdling rise; ear ringing and bleak stabs of distorted metallic percussion with shrill, miserable FX and a relentless, airy rise

2:0199 BPM
Defile Them4284/13
Paul Dinletir (ASCAP)Jeffrey Emerson Gaiser (ASCAP)
Deep, booms layer with creepy pads and skittering, visceral creature FX; rising buzz with subtle low brass swells; deadly, driving bass pulse moves you closer to the creature in the darkness; rhythmic build with horn blasts and shrill screeches

2:23108 BPM
Gutted4284/14
Stuart Roslyn (PRS)Matthew Foundling (PRS)
Airy foghorn blasts and a dissonant slice create a tense, minimal intro; string stabs and creepy wind chimes; animalistic shriek; driving cello woven with deep bass pulse, creature growls, wild, dissonant string rises; shrieks, pounding drums

2:16104 BPM
Murderabilia4284/15
Kevin Rix (ASCAP)
Glitched out, skittering FX swells and deep synth blasts and shrill, piercing tones layer over distorted static textures and a tweaked out tonal wall of disorienting noise, massive, pounding percussion and a huge rise

2:02115 BPM
Entomophobia4284/16
Paul Dinletir (ASCAP)Andres Gutierrez Moreno (BMI)
Airy atmospheres with organic string plucks and jabs; massive stabs, skittering FX, huge synth squalls; rhythmic rise with piercing metallic pulse, racing heartbeat with massive slams

1:54120 BPM
The Shroud4284/17
Stuart Roslyn (PRS)
Minimal, tense wasteland atmosphere, distorted blasts, creepy reversed vocal sample whooshes; organic string plucks with massive drops; echoing chimes, rhythmic layering with broken toy piano and huge drum & synth bass hits; dissonant back end build

2:39122 BPM
Our Little Secret4284/18
Paul Dinletir (ASCAP)Roman Gabriel Soto (ASCAP)
Distant, sliding pads, bending towards a quiet evil, subtle string notes with jabs of terror slicing through intermittently; an accelerating pulse beats an urgent tempo until massive synth stabs blast through the calm with murderous intent

2:27100 BPM
The Wail of the Banshee4284/19
Stuart Roslyn (PRS)
Dissonant strings and mysterious pads create a tense, creepy intro; strings climb to drum slams; vicious stabs with shrieks and a synth bass pulse, rising up to a stabbing climax with screams and assaultive hits with a haunting, ghostly vocal button

2:47102 BPM
Thanatophobia4284/20
Kevin Rix (ASCAP)
Explosions lead to tinnitus, shrill, high, piercing tones and the shots that cause them. Extremely disorienting and panic-inducing.

1:40110 BPM
Worse Than You Thought4284/21
Paul Dinletir (ASCAP)Skylar Nam (BMI)
Airy, cavernous atmospheres littered with creaking, scratching, metallic FX; bleak, minimal creepy, bending noises layer with a low rhythmic pulse; deadly blasts interspersed with high string stabs; massive, rhythmic stabbing back end

2:1988 BPM
Neither Man Nor Beast4284/22
Kevin Rix (ASCAP)
Mysterious wind chimes and dissonant string drones with bleak synth blasts and distorted, evil monster growls; bending metallic FX, building rhythmically with a long, shrill rise, pounding drums and jarring synths

2:1697 BPM
Irrational Toxicity4284/23
Steffan Koch (ASCAP)
Cavernous booms and wooden percussion beat a steady minimal rhythm; rising swell leads to stabbing clusters and a deadly synth bass, as the beat marches on; pulsing synth layers with percussion as the progression to damnation reaches its final stop

2:10110 BPM
Hatred Stirs4284/24
Steffan Koch (ASCAP)
Sliding, distant tones and ethereal, tense pads swell up to glitchy, dissonant static blasts; disorientation and fear builds with organic dulcimer and tweaked piano notes, reverse pings, shrill alarms, a driving, textured pulse and pounding drums

2:36120 BPM
Phantasmagoria4284/25
Kevin Rix (ASCAP)
Evil, distant, bending tones with cavernous booms; alarms and raw string notes layer with sliding tones, the dead are slowly rising, lazy harbingers of inescapable doom, clangs, creepy melodic plucks layer with slams and screeching FX and springs

2:56120 BPM
They Think Like Us4284/26
Sergiu Muresan (PRS)
Piercing high tone; single piano note with cello drone, minimal, cavernous hits, visceral FX; terrifying string stabs with a menacing organic ticking rhythm, layers of breath, metallic stabs, with a bloody, violent build

1:4392 BPM
Charon's Obol4284/27
Kevin Rix (ASCAP)
2 mixesDistorted foghorn blasts over pads interrupted by string bends and percussion. Raw strings, doors slam and a light choir betrays trust. Sliding cellos and chaos breaks the calm, building with synth bursts, slams, ostinatos and an evil gothic choir

2:5687 BPM
Disturbia4284/29
Steffan Koch (ASCAP)
Dank brass tones and shrill strings slide across a minimal atmosphere; rhythmic string bass motif for when the murderer is a terrifying clown from your childhood nightmares; accelerating pattern that builds a frenzied panic and scratching, static FX

2:40135 BPM
Malevolence4284/30
Kevin Rix (ASCAP)
Dissonant string swells with creepy drops and sliding tones fall to a cavernous hell as brass braams and aggressive synth textures squeal with vicious violins until a driving, raw cello rhythm bursts forward with drums, brass and relentless squalls

2:25120 BPM

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