Where to Begin4648/49Paul Dinletir (ASCAP)Benjamin Knorr (SOCAN)12 mixesWith grimness and pessimism, this score sets the stage with organic guitar pulses and waves of atmospheric drones. 2:28110 BPM
Where to Begin (15)4648/50Paul Dinletir (ASCAP)Benjamin Knorr (SOCAN)12 mixes15 second cutdown of Where to Begin 0:16110 BPM
Where to Begin (30)4648/51Paul Dinletir (ASCAP)Benjamin Knorr (SOCAN)12 mixes30 second cutdown of Where to Begin 0:30110 BPM
Where to Begin (30, Underscore)4648/52Paul Dinletir (ASCAP)Benjamin Knorr (SOCAN)12 mixes30 second Alternate cutdown of Where to Begin 0:30110 BPM
Where to Begin (60)4648/53Paul Dinletir (ASCAP)Benjamin Knorr (SOCAN)12 mixes60 second cutdown of Where to Begin 1:00110 BPM
Where to Begin (60, Underscore)4648/54Paul Dinletir (ASCAP)Benjamin Knorr (SOCAN)12 mixes60 second Alternate cutdown of Where to Begin 1:00110 BPM
Where to Begin (No Intro)4648/55Paul Dinletir (ASCAP)Benjamin Knorr (SOCAN)12 mixesWith grimness and pessimism, this score sets the stage with organic guitar pulses and waves of atmospheric drones. 1:59110 BPM
Where to Begin (Guitar Focus)4648/56Paul Dinletir (ASCAP)Benjamin Knorr (SOCAN)12 mixesWith grimness and pessimism, this score sets the stage with organic guitar pulses. 2:28110 BPM
Where to Begin (No Guitar)4648/57Paul Dinletir (ASCAP)Benjamin Knorr (SOCAN)12 mixesWith grimness and pessimism, this score sets the stage with waves of atmospheric drones. 2:28110 BPM
Where to Begin (Sting 1)4648/58Paul Dinletir (ASCAP)Benjamin Knorr (SOCAN)12 mixesSting 1 of Where to Begin 0:05110 BPM
Where to Begin (Sting 2)4648/59Paul Dinletir (ASCAP)Benjamin Knorr (SOCAN)12 mixesSting 2 of Where to Begin 0:05110 BPM
Where to Begin (Sting 3)4648/60Paul Dinletir (ASCAP)Benjamin Knorr (SOCAN)12 mixesSting 3 of Where to Begin 0:05110 BPM