Track 3858/56No Other Options 9 (60)

Moody anxious long string chords with distorted ambience grow in optimism

Glen Gabriel Jansson (ASCAP) From the album Lost In Cyberspace

One main track with multiple mixes. Download all 22 mixes of this track.

No Other Options3858/3
Glen Gabriel Jansson (ASCAP)
22 mixesPulsing electronic bass & synths with moody strings, sparse beats & distorted ambience. Light tension, espionage feel

2:39134 BPM
No Other Options 23858/49
Glen Gabriel Jansson (ASCAP)
22 mixesPulsing electronic bass & synths with moody strings & distorted ambience. No beats

2:39134 BPM
No Other Options 33858/50
Glen Gabriel Jansson (ASCAP)
22 mixesPulsing electronic bass & synths with sparse beats & distorted ambience. No strings

2:38134 BPM
No Other Options 43858/51
Glen Gabriel Jansson (ASCAP)
22 mixesPulsing electronic bass & synths with sparse piano chords & distorted ambience. No strings or beats

2:38134 BPM
No Other Options 53858/52
Glen Gabriel Jansson (ASCAP)
22 mixesMoody mysterious & anxious long string chords with moments of optimism

2:20134 BPM
No Other Options 63858/53
Glen Gabriel Jansson (ASCAP)
22 mixesOut of tune mandolin with sparse piano chords, electronic bass & dark synths textures. Tense & mysterious

2:21134 BPM
No Other Options 73858/54
Glen Gabriel Jansson (ASCAP)
22 mixesSparse & tense booming drum hits build with distorted electronic rhythms

2:05134 BPM
No Other Options 8 (60)3858/55
Glen Gabriel Jansson (ASCAP)
22 mixesPulsing electronic bass & synths with moody strings, sparse beats & distorted ambience

1:00134 BPM
No Other Options 9 (60)3858/56
Glen Gabriel Jansson (ASCAP)
22 mixesMoody anxious long string chords with distorted ambience grow in optimism

1:00134 BPM
No Other Options 10 (30)3858/57
Glen Gabriel Jansson (ASCAP)
22 mixesPulsing electronic bass & synths with moody strings, sparse beats & distorted ambience

0:30134 BPM
No Other Options 113858/58
Glen Gabriel Jansson (ASCAP)
22 mixesMoody strings grow in optimsm with pulsing electronic synths & sparse beats to a calm ending

0:28134 BPM
No Other Options 12 (15)3858/59
Glen Gabriel Jansson (ASCAP)
22 mixesPulsing electronic bass & synths with moody strings, sparse beats & distorted ambience. Light tension, espionage feel

0:15134 BPM
No Other Options 13 (15)3858/60
Glen Gabriel Jansson (ASCAP)
22 mixesMoody strings grow in optimsm with pulsing electronic synths & sparse beats to a calm ending

0:15134 BPM
No Other Options 14 (Sting)3858/61
Glen Gabriel Jansson (ASCAP)
22 mixesMysterious echoing synth chords sting

0:07134 BPM
No Other Options 15 (Sting)3858/62
Glen Gabriel Jansson (ASCAP)
22 mixesBooming drum hit sting

0:09134 BPM
No Other Options 16 (Sting)3858/63
Glen Gabriel Jansson (ASCAP)
22 mixesMysterious long string chords going from A major to G minor sting

0:10134 BPM
No Other Options 17 (Sting)3858/64
Glen Gabriel Jansson (ASCAP)
22 mixesWarm long string chords going from F major to C major sting

0:10134 BPM
No Other Options 18 (Sting)3858/65
Glen Gabriel Jansson (ASCAP)
22 mixesSoft warm string chord going from A major to B flat major sting

0:10134 BPM
No Other Options 19 (Sting)3858/66
Glen Gabriel Jansson (ASCAP)
22 mixesAnxious string chords going from G minor to A major sting

0:10134 BPM
No Other Options 20 (Sting)3858/67
Glen Gabriel Jansson (ASCAP)
22 mixesMoody string chords resolve in A major sting

0:10134 BPM
No Other Options 21 (Sting)3858/68
Glen Gabriel Jansson (ASCAP)
22 mixesRising reversed drum & hit sting

0:13134 BPM
No Other Options 22 (Sting)3858/69
Glen Gabriel Jansson (ASCAP)
22 mixesDistorted screaming synth with piano chord & hit sting

0:15134 BPM

Key: A
Metre: 4/4
Tempo: 134 BPM
Tempo notes: Slow
Factoid: Recorded at Abbey Road Studios and in the deep forests of Sweden. An old, out of tune ukulele was used in recording some of the rhythmic elements which sound like a ticking clock. It was mixed in with electronics to symbolize the human element in modern AI. The idea of the track is that all possibilities have been exhausted and there’s no other option except for a bad one with consequences.