Gone Boy4371/17Chilly, listing harmonics are shocked by a snap of cello. A suspenseful, brooding mood engulfs the piece until climactic hits and triumphant clashes build to a final defiant synth and string shiver.
1:3989 BPM
Track 4371/22Gone Boy (60 No Arp, No FX)
Paul Dinletir (ASCAP) | Jina Hyojin An (BMI) From the album Strung OutLight, spectral harmonics evoke a suspenseful, brooding mood which engulfs the piece until climactic hits and triumphant clashes build to a final synth and string shiver.
One main track with multiple mixes. Download all 8 mixes of this track.
- Gone Boy (No Cello Arps)4371/18Light, spectral harmonics float for a suspenseful, brooding mood which engulfs the piece until triumphant strings ring out building to a climatic flourish.1:34101 BPM
- Gone Boy (No Lead Cello)4371/19Chilly echoes are punctuated by ghostly snaps of cello which repeat to build a foreboding tension until climatic snaps and ringing string fade before a final flourish.1:3988 BPM
- Gone Boy (Strings Focus)4371/20String echoes are pierced by ghostly snaps of cello and a mournful swell that builds a foreboding tension. Triumphant strings and hits ring out but they too fade before a final defiant flourish.1:39116 BPM
- Gone Boy (60)4371/21Chilly, listing harmonics and mysterious cello evoke a suspenseful, brooding mood until triumphant clashes build to a final synth and string shiver.1:0089 BPM
- Gone Boy (60 No Arp, No FX)4371/22Light, spectral harmonics evoke a suspenseful, brooding mood which engulfs the piece until climactic hits and triumphant clashes build to a final synth and string shiver.1:00108 BPM
- Gone Boy (30)4371/23Chilly, listing harmonics are shocked by a snap of climactic strings and triumphant clashes which build to a final synth and string shiver.0:3088 BPM
- Gone Boy (30 Suspense)4371/24Chilly, listing harmonics are shocked by a snap of suspensful cello that builds in intensity until a final cut.0:30100 BPM