Falling Away4371/72Humming bass is overwhelmed with portentous strings until an arresting stop. From the silence a foreboding growl emerges and the aching strings and rythmic ticks intensify before a dangerous silence.
3:14107 BPM
Track 4371/75Falling Away (No Ticks)
Paul Dinletir (ASCAP) | Roman Gabriel Soto (ASCAP) From the album Strung OutA mournful darkness is overwhelmed with emotive bass until an arresting stop. From the silence a foreboding growl emerges and the aching rythmic ticks intensify before a dangerous silence.
One main track with multiple mixes. Download all 8 mixes of this track.
- Falling Away (No Lead Bass)4371/73Humming bass is coupled with portentous, regal strings until an arresting stop. From the silence a foreboding growl emerges and the strings and rythmic ticks intensify before a dangerous silence.3:14110 BPM
- Falling Away (No Mid Long Strings)4371/74A foreboding growl of humming bass and portentous strings ache and build with rythmic ticks which intensify before a dangerous and arresting stop.3:1487 BPM
- Falling Away (No Ticks)4371/75A mournful darkness is overwhelmed with emotive bass until an arresting stop. From the silence a foreboding growl emerges and the aching rythmic ticks intensify before a dangerous silence.3:14106 BPM
- Falling Away (60)4371/76Humming bass is pierced with portentous strings. The foreboding growl re-emerges and the aching strings and rythmic ticks intensify before a dangerous silence.1:00101 BPM
- Falling Away (60 No Ticks)4371/77Humming bass is pierced with portentous strings. The foreboding growl re-emerges and the aching strings intensify before fading to a dangerous silence.1:00110 BPM
- Falling Away (30)4371/78A foreboding growl of humming bass and portentous strings ache and build with rythmic ticks which intensify before a dangerous and arresting stop.0:30106 BPM
- Falling Away (30 No Ticks)4371/79A foreboding growl of humming bass and portentous strings ache and build in intensity before a dangerous and arresting stop.0:30119 BPM