Blackmail Letter2427/3Sad, ominous, brooding. Orchestral & electronics soundscape
2:52122 BPM
Track 2427/54Blackmail Letter 14 (30)
Brooding electronics, fx & guitars. Sparse mix, no orchestra
Chris Egan (PRS) | Trystan Francis (PRS) From the album Scoring Sessions Crime Drama- Blackmail Letter 22427/42Sad, ominous, brooding. Orchestral & electronics soundscape. Fewer sfx2:52122 BPM
- Blackmail Letter 32427/43Brooding electronics, fx & guitars. No orchestra2:51122 BPM
- Blackmail Letter 42427/44Brooding electronics, fx & guitars. Sparse mix, no orchestra2:52122 BPM
- Blackmail Letter 5 (60)2427/45Sad, ominous, brooding. Orchestral & electronics soundscape1:00122 BPM
- Blackmail Letter 6 (60)2427/46Sad, ominous, brooding. Orchestral & electronics soundscape. Fewer sfx1:00122 BPM
- Blackmail Letter 7 (60)2427/47Brooding electronics, fx & guitars. No orchestra1:00122 BPM
- Blackmail Letter 8 (60)2427/48Brooding electronics, fx & guitars. Sparse mix, no orchestra1:00122 BPM
- 1:00122 BPM
- Blackmail Letter 102427/50Slow, sad, haunting strings. No effects0:39122 BPM
- Blackmail Letter 11 (30)2427/51Sad, ominous, brooding. Orchestral & electronics soundscape0:30122 BPM
- Blackmail Letter 12 (30)2427/52Sad, ominous, brooding. Orchestral & electronics soundscape. Fewer sfx0:30122 BPM
- Blackmail Letter 13 (30)2427/53Brooding electronics, fx & guitars. No orchestra0:30122 BPM
- Blackmail Letter 14 (30)2427/54Brooding electronics, fx & guitars. Sparse mix, no orchestra0:30122 BPM
- 0:30122 BPM
- Blackmail Letter 16 (Sting)2427/56Reverse effect into short electronic sting0:08122 BPM