


Jerome Leroy
Jerome Leroy (ASCAP)Composer, orchestrator, and producer originally from Paris.
Latest Tracks
The Origins Of Light4827/1Soft, pensive piano & light textural synths slowly build with warm strings & light percussion3:0095 BPM
Unbeaten Paths4827/2Nostalgic, flowing piano & warm strings build to an uplifting ending from meditative intro3:18125 BPM
Becoming4827/3Bright, driving piano patterns & wistful violin build to an uplifting resolution with sprightly string ostinatos & warm chords3:12186 BPM
On Auroras And Twilights4827/4Gentle, reflective piano patterns build with light strings, warm minimal pads & delicate solo violin. Calm & quietly touching2:5292 BPM
The Spaces Left Behind4827/5Slow, poignant piano melody emerges from atmospheric textural opening & gently develops with ethereal synth & moving chamber strings3:2964 BPM
To These Evening Glows4827/6Intimate, delicate & touching piano with warm, gentle strings & subtle synth pulse3:0371 BPM
The Time That Is Given Us4827/7Bright, flowing piano patterns & light textures build with driving string ostinatos, synth pulses & percussion to a joyful finale3:32114 BPM
The Spiral Staircase4179/1Pensive, anxious strings & piano build with synth pulses & percussion to a dramatic middle phase & sombre resolution2:55110 BPM
The story behind the sound
Originally from Paris, composer, orchestrator, and producer Jérôme Leroy writes and produces for film, television, and video games. Jérôme started studying piano at the age of five and was composing by his early teens. He attended the Berklee College of Music and, while there, founded its first student-run classical orchestra. After graduation, he moved to Los Angeles where he would work with, and learn from many established composers. As a score producer and orchestrator, he has more than forty film credits and he has written music for films including “The Housemaid,” “Killers Within,” “A Better Place,” “A Very Harold & Kumar 3D Christmas,” “Touchback,” and “50 to 1” as well as the Oprah Winfrey Network docuseries “Operation Change.”
He moved to Los Angeles where he would work with, and learn from, William Ross and Alan Silvestri. As a score producer and orchestrator, he has more than forty film credits.
