


Alex Kovacs
Alex’s film, TV & commercial scores are inspired by John Williams & Bernard Hermann.
Selected Albums
Dramatic TensionStorytelling themes & soundscapes that say all is not well
Your Cover Is BlownDramatic hybrid orchestra with brooding builds, tense bridges & climaxes
Latest Tracks
- Time Is Of The Essence4156/1Hypnotic mallets build with light piano, percussion & grand strings. Inquisitive opening leads to revelation & discovery 2:09
- Still Of The Night4156/2Contemplative piano over airy pads builds with light harp figure, delicate mallets & soaring emotional strings3:04
- Tungsten Hues4156/3Gentle synth & marimba ostinatos with reflective piano, plaintive strings & light percussion2:38
- The Loneliest4156/4Meditative plucked string ostinato over atmospheric pads & soft rhythms builds with delicate piano & uplifting strings3:04
- Self Reflection4156/5Delicate, quizzical piano, strings & atmospheric pads grow in optimism & momentum with mallets & light percussion 3:48
- Cosmic Dust4156/6Celestial pads & textures with hypnotic synth ostinato & warm lush strings. Meditative & serene yet grand & majestic2:49
- In The Clouds4156/7Curious & atmospheric. Airy pads, light piano, marimba & synth pulses build with stick percussion & emotional strings3:25
- Wounded Angel3680/1Thoughtful piano over ambient pads builds in strength, courage & determination with inspiring strings3:04
The story behind the sound
Alex has been composing music since he was a teenager - inspired by the many magical scores of John Williams, Jerry Goldsmith, and Bernard Herrmann. Since graduating from Berklee College of Music, Alex’s music can be heard throughout film, television, amusement parks, and commercials. Alex has scored many projects spanning jazz noir, romantic comedies, spy action/thrillers, dramas, and quirky tongue-in-cheek comedies. He has worked on projects in connection with Marvel, Disney, Hallmark, Universal, Netflix, Crackle, OWN, ABC, FOX, HBO and Sony. He has also had the honour of composing additional music for greats such as William Ross, John Debney, Sean Callery, Tony Morales, Christopher Lennertz, The Newton Brothers, and BT. When Alex is not composing, he is perfecting the classic gin martini-- while still listening to Jerry Goldsmith scores, of course.
Alex’s scores are inspired by John Williams and Bernard Hermann. He has worked on a huge variety of romcoms, thrillers and dramas for Marvel, Disney, Universal, Netflix and Sony, amongst others.