Album ANW 4274Volturnus

Blockbuster-bound hybrid cues, fusing towering live orchestra with bold synths and sound design.

24 tracks

Protect and Defend4274/1
Stuart Roslyn (PRS)Matthew Foundling (PRS)
Mysterious pads set a bleak sci-fi tone, pulsing retro synths swirl, building to huge percussive slams and massive bending synth growls; powerful brass leads the orchestral charge with piercing signature sounds to a mighty climax

2:37120 BPM
Redshift4274/2
Mark Petrie (ASCAP)
2 mixesMysterious piano pings over a low drone and ominous bass synths; rising tensely with drops and signature sounds and huge percussive slams; dark bass notes stomp while angelic choir soars, leading to a dangerous orchestral climax

3:53110 BPM
Subversive Deed4274/4
Paul Dinletir (ASCAP)
2 mixesLow, swirling pads ground a distorted synth pulse while strings race urgently as tension builds; huge percussion and bass slams accent the driving anticipation, leading to a rich orchestral and choir climax

3:1398 BPM
Divine Hammer4274/6
Cody Still (BMI)
2 mixesLow, bending synth stabs lead to tense pulsing and pinging piano strikes; bold brass leads racing strings and running synths; pounding percussion, heroic choir and huge orchestra swell to a massive back end

2:32140 BPM
Roar of Saturn4274/8
Kevin Rix (ASCAP)
2 mixesTwisting brass blasts intro with racing strings and steadily pounding percussion; ominously driving orchestra charges on with gritty bass synths and bold, heroic choir to a massive, stabbing outro

2:07107 BPM
The Badlands4274/10
Stuart Roslyn (PRS)Matthew Foundling (PRS)
Distorted pings layer with FX and mysterious synth pads; a sharp pulse swells in, leading to an intense, rhythmic percussion pattern with deep brass blast accents; ascending orchestral stabs lead to a massive, building climax

2:04108 BPM
Freefall4274/11
Sergiu Muresan (PRS)
2 mixesMysterious piano and synth pads weave with light vocals; driving synth percussion kicks in to propel racing strings and tense synths along with pounding drums and bold brass; leading to a heroic orchestral outro

2:43120 BPM
Watch the World Burn4274/13
Michael Rubino (ASCAP)
2 mixesDriving strings layer with retro synths; serious brass blasts turn to a heroic middle; glorious choir, steady percussion and orchestra signal hope in the darkness, but the battle is far from over

2:52125 BPM
So Say We All4274/15
Harry Lightfoot (PRS)
2 mixesPeaceful synth scapes and light synth ostinatos shift to pounding percussion, driving orchestra and intense choir, building to a heroic and intense climax

3:1991 BPM
Water Wars4274/17
Kevin Rix (ASCAP)
2 mixesPropulsive retro bass synths lead to tense, racing strings and pounding percussion; rapid fire drums lead to a darkly heroic orchestral middle; bold brass and soaring choir create a truly epic outro

3:01120 BPM
Mechanized Recruit4274/19
Cody Still (BMI)
2 mixesGlitchy textures swirl around sparse synth pulses and light piano; steady percussion builds to a gloriously heroic and important middle; bold brass, choir, pounding drums and high string ostinatos lead to a tense but soaring climax

2:07130 BPM
Cities of Dust4274/21
Stuart Roslyn (PRS)
Darkly mysterious pings and glitchy textures accented by powerful stabs; tense strings and low brass drive over a swagger-ish beat; massive, bending brass blasts lend danger to a tense orchestral build, leading to an exciting but dark outro

2:16123 BPM
Rushmore4274/22
Daniel Lozinski (PRS)
2 mixesTense, mysterious synth pulse leads to emotional piano motif; important brass builds over serious strings and synth arpeggios, swelling with soaring choir and full orchestra

3:09120 BPM
Live Free or Die4274/24
Harry Lightfoot (PRS)
2 mixesMinimal but warm intro; gradually builds up with strings and subtly heroic brass; rapid fire percussion plays counterpoint to the more stately orchestral and synth elements; soaring female voice and full choir supports a gorgeous climax

3:13119 BPM
Strategic Alignment4274/26
Paul Dinletir (ASCAP)
2 mixesTicking percussion and ominous synth accents count down the moments before attack; tense cellos and menacing choir layer with heavy bass and deadly serious brass; huge percussion drives an intense orchestral back end

3:3199 BPM
Eyes On Me4274/28
Stuart Roslyn (PRS)
Mysterious synth ostinatos create a sweet intro with tense underpinnings; rapid percussion clusters signal change; intense, twisting brass bends and unrelenting strings layer with serious brass to culminate in a massive outro

2:1188 BPM
Totality Draws Near4274/29
Kyle Booth (PRS)
2 mixesDark pads, deep booms and mysterious, swirling synths set a dangerous pace; heavy percussion and brass blasts layer with tense, driving strings; heroic, yet emotional brass and serious choir tells us the battle isn't done...yet

2:54120 BPM
Song of the Vanquished4274/31
Kevin Rix (ASCAP)
4 mixesTextured pings tick in with a mysterious piano motif and deep synth FX accents; ominous cellos swirl around gritty bass synths and tense strings; heavy brass and stomping taikos meet a mournful choir, building an emotional, epic climax

2:5897 BPM
My Way Out4274/35
Harry Lightfoot (PRS)
2 mixesEmotional piano chords and peaceful pads lead to pulsing synths and steady percussion, slow burn building up to an emotional and important orchestral climax with heroic brass, bold choir and driving strings

2:42119 BPM
Building a Better Tomorrow4274/37
Paul Dinletir (ASCAP)
2 mixesDeep, whirling synth textures mix with steady piano chords and anticipatory strings; heavy, textured blasts break in, but the montage continues, building with serious, but stately choir and orchestra

3:56123 BPM
Where Once There Were Stars4274/39
Jochen Flach (BMI)
2 mixesTense, pulsing synths layer with gritty but subtle guitar textures; gradually building with heroic brass, percussion accents, pinging piano, dancing strings and mighty choir; sliding high synths lends intensity to the orchestral climax

2:17140 BPM
Wait For It4274/41
Michael Rubino (ASCAP)
2 mixesMournful piano motif and distant vocals lend mystery to the intro; the orchestra drives in with pulsing, exciting synths and racing string ostinatos; brass and relentless percussion build massively with full choir

2:21102 BPM
And Then They Came for Me4274/43
Kevin Rix (ASCAP)
2 mixesDark synths swell in and out over a mysterious pad and pulse; tense strings layer over a steadily marching warlike beat, gradually building with mournful brass intensity; the full power of the orchestra and choir bids a sad farewell to our king

3:01111 BPM
Absolute Magnitude4274/45
Harry Lightfoot (PRS)
2 mixesFrom out of the darkness, it arose; from dark synths to the light of a piano motif, rising up heroically to greet the new day in all its full orchestral glory; both a solo female vocal plus full choir call us to the light

3:13100 BPM

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