Psychosis

Album ANW 4257Psychosis

Paul Dinletir (ASCAP) | Kevin Rix (ASCAP) | John Graves (BMI) | Steffan Koch (ASCAP)

Gut-wrenching, sweat-drenching horror tracks, plus a Pandora's box of terrifying sound design.

127 tracks

  1. Last Exit
    Last Exit4257/1
    Paul Dinletir (ASCAP)
    Muted bell alarm, deep pulse, screeching, animal growl, shriek, huge, crunching hits, machine, staple, gun reload, fluttering FX, chaotic, photographs, shutter, clicking, frenzy, massive, pounding rise
     
    2:03107 BPM
  2. Shutter Island
    Shutter Island4257/2
    Kevin Rix (ASCAP)
    Echoing hit, distant church bell, gong, chain hit, airy swells, synth bass pulse, heart beat, bleak, sparse, rhythmic distorted bass into frantic, fast percussive build with long rise
     
    2:18105 BPM
  3. Cerebellum Soup
    Cerebellum Soup4257/3
    John Graves (BMI)
    Pulsing drone, deep space, sci-fi, huge hits, deep, low rumble, underwater echo, broken transmission, white noise, static, metallic slash, vacuum, alarm, building percussive outro with metallic hits
     
    2:22163 BPM
  4. Pure Evil
    Pure Evil4257/4
    Steffan Koch (ASCAP)
    Church gong, distant, echoing, fluttering, skittering, glitchy whoosh hits, animal growls, low rumble, deep sub bass pulse, piercing tones create rhythmic percussive back end, motor, final massive hit
     
    2:13120 BPM
  5. Ramsey
    Ramsey4257/5
    Kevin Rix (ASCAP)
    Huge, distorted guitar tonal hits, deep rumble, drones, growls, long, airy rise with glitching textures, digital shrieks, pulsing back end with driving percussion, menacing, sci-fi, battle, urgent, chaos, frantic
     
    2:11130 BPM
  6. Reflections of Fear
    Reflections of Fear4257/6
    Paul Dinletir (ASCAP)
    Mournful piano intro, high, dissonant strings, distorted pings, low rumbles, heart beat, brutal hits, screeching blasts, sci-fi bass drops, 4-beat hit rhythmic percussive build with airy rise to urgent outro
     
    2:20120 BPM
  7. Depth Charger
    Depth Charger4257/7
    Paul Dinletir (ASCAP)
    Electromagnetic drone, flanging metallic percussion, abandoned factory, metal hits, muffled, dissonant high tone builds like a scream to tense climax with long fade out
     
    1:20140 BPM
  8. Swampland
    Swampland4257/8
    Kevin Rix (ASCAP)
    Tonal alarm blasts, descending horror tremolo strings, sparse intro, airy whoosh, deep drone, huge hits, classic horror strings swell into massive, churning and percussive rise, frantic pursuit
     
    1:56130 BPM
  9. Dry Bones
    Dry Bones4257/9
    John Graves (BMI)
    Screeching horror, airy, distant, echoing hits, sudden attack, helicopter, slashing, monster, creaking, grinding bones, pounding, panting, hissing, breathy growl, tension, echoing, percussive build to massive hits and swell out
     
    1:4890 BPM
  10. Centuries of Torment
    Centuries of Torment4257/10
    Steffan Koch (ASCAP)
    Brutal tonal blast, feedback, menacing percussive hits, metallic pings, distorted shrieks, frantic breathing, nightmares, deep bass pulse, stabbing hits, pounding drums, airy, fluttering swell out
     
    1:48150 BPM
  11. The Descent
    The Descent4257/11
    Paul Dinletir (ASCAP)
    Deep, echoing hits, scrapes, sputtering machinery, tense atmosphere, ominous guitar, low drone, distorted piano, metallic hits, breathy whoosh, slicing, tense, urgent percussive build, dissonance, dark, airy whoosh outro
     
    2:33
  12. Hypoxia
    Hypoxia4257/12
    Kevin Rix (ASCAP)
    Deep space, sci-fi pulsing, tense glitching, broken transmission, feedback, distortion, suspense rise, airy swell up to menacing and mechanical rhythmic build, stuttering machines, drills, chains, massive pounding hits
     
    2:05
  13. Chambers of Blood
    Chambers of Blood4257/13
    Steffan Koch (ASCAP)
    Distant alien pulsing, intense glitching, transmission signal loss, feedback, sci-fi, dark, distorted, sparse, chain hits build in intensity, menacing rhythmic build, gigantic pounding hits
     
    2:47107 BPM
  14. Ghost Hunter
    Ghost Hunter4257/14
    Paul Dinletir (ASCAP)
    Whispering, tense digital buzz, scratching, guitar distortion, synth pulse, huge crashing hits, breathy whoosh, mechanical rhythmic percussion, long, ominous, percussive rise with urgent alarm
     
    1:44120 BPM
  15. Fueled by Satan
    Fueled by Satan4257/15
    John Graves (BMI)
    Airy, distant low voice, growl, creepy, terror, ghostly, distorted radio transmission whoosh, abstract hits, glaring, white noise, low pulsing, dissonant piano hits, certain death, building, frenetic, aggressive back end
     
    2:15127 BPM
  16. Cut Throat
    Cut Throat4257/16
    Paul Dinletir (ASCAP)
    Alien ping, airy whoosh, sonar, crackling, skittering distortion, horror string swell, distorted low cello hits, piercing glare, rhythmic stabs, pulsing, building alarm, long rise, urgent
     
    1:46110 BPM
  17. Torture Room
    Torture Room4257/17
    Kevin Rix (ASCAP)
    Wobbly, echoing hit, breathy whispers, terror, wind, creepy, fear, ghosts, broken transmission, massive, pounding hits, crunching percussion, stabbing, severe, huge build, death everywhere
     
    1:55140 BPM
  18. Earthbound Spirit
    Earthbound Spirit4257/18
    John Graves (BMI)
    Slam hit with tail, pulsing drone, fast airy rise, eerie choir, scattered voices, horror, thriller, menacing, clanging hits and pounding percussion become an urgent outro
     
    1:3791 BPM
  19. Hammer Smashed Face
    Hammer Smashed Face4257/19
    Steffan Koch (ASCAP)
    Huge synth hit, distant children's voices, airy swell, fluttering rise to slicing rhythm, deep, distorted pulsing beat, extreme, punishing drums, brutal percussion, gunfire, menacing, urgent percussive rise
     
    2:01120 BPM
  20. Orphaned
    Orphaned4257/20
    Paul Dinletir (ASCAP)
    Demonic toy piano, dissonant music box, carousel, nursery, deep drone, classic horror, distant children's voices, low, rumbling hits, metallic slicing, screaming, shrieking, terror, percussive slasher rise builds with screams to mass murder, Chucky times ten
     
    2:40160 BPM
  21. Mecha War
    Mecha War4257/21
    Kevin Rix (ASCAP)
    Radioactive pulse hits, sci-fi, alien, deep space, digital whispers, heavily distorted bass tones, alarming pulse, tense, mechanical, hydraulic, fast-paced action percussive back end build
     
    2:18160 BPM
  22. Don't Turn Around
    Don't Turn Around4257/22
    Paul Dinletir (ASCAP)
    Low rumbling hits, breathy whispers, fluttering synth scratches, metallic whoosh, sparse, cranking machinery, creaking, laser, synth bass pulse, heavy percussive back end, urgent, frenetic, frantic
     
    1:43100 BPM
  23. Escape From Noise
    Escape From Noise4257/23
    Steffan Koch (ASCAP)
    Massive hits with glitchy skittering ring out, sparse, sci-fi, desolation, wasteland, pulsing pings, underwater, submarine, broken transmission, percussive back end, painful memories, flashbacks, urgent, disoriented build
     
    1:58120 BPM
  24. Reek
    Reek4257/24
    Kevin Rix (ASCAP)
    High pitched, dissonant glassy tones, woke up dead, huge whoosh hits, ghostly, distant whispers, low rumbles, eerie voices, distorted guitar FX, deep synth bass pulse, slams, slicing, alarm, urgent, percussive back end
     
    2:06140 BPM
  25. Thy Will Be Done
    Thy Will Be Done4257/25
    Paul Dinletir (ASCAP)
    Possessed Latin religious whispers, eerie deep hits, sparse high tones, demons, minimal, creepy, gurgling airy rise long percussive rise
     
    1:47130 BPM
  26. Spiritus Raptor
    Spiritus Raptor4257/26
    John Graves (BMI)
    Jarring, record hiss and pop, distant, airy drone, echoing mechanical alarm, buzz saw, pulsing beat, dry hits, horror string swell up to percussive back end, huge build
     
    2:01136 BPM
  27. Number of the Beast
    Number of the Beast4257/27
    Kevin Rix (ASCAP)
    Massive, deep, crunching hits, sparse, airy, low rumbles, distorted guitar tones, creaking, apocalypse, wasteland, huge drums, rhythmic percussive back end, urgent, rise to action, battle
     
    2:08120 BPM
  28. Lord Qyburn
    Lord Qyburn4257/28
    Kevin Rix (ASCAP)
    Airy, high tonal pulse, low rumbles, gristly textured scrapes, stabs, screams, pulsing synths, distorted guitars and heavy drums create a driving, urgent and tense rising build out
     
    1:38107 BPM
  29. Ice in the Veins
    Ice in the Veins4257/29
    John Graves (BMI)
    Hollow drone with dissonant, metallic percussion, skittering synths, distant voices, tribal, creepy, ominous, impending doom, wasteland, haunted building, huge hits, sliding brass, slams, piercing drone, fast orchestral rise, clean fade outro
     
    2:3687 BPM
  30. Electro Convulsion
    Electro Convulsion4257/30
    Kevin Rix (ASCAP)
    Airy drone, space, rumbling, growling, deep pulsing synths, rhythmic, distorted bass, glitching rise builds to powerful percussive back end, massive blast hits, pounding drums, destruction
     
    1:54
  31. Sandor Clegane
    Sandor Clegane4257/31
    Kevin Rix (ASCAP)
    Screeching, blasts, horror, bleak textured atmosphere, huge, metallic hits, alien, sci-fi, mechanical alarm, panic, massive drums, urgent percussive build
     
    1:57106 BPM
  32. Dystopian Hell
    Dystopian Hell4257/32
    Kevin Rix (ASCAP)
    Scanner pulse, alien, airy drone, echoing flange, distortion, sci-fi, tense, nightmare, post apocalypse, metallic crunching whoosh hit, menacing, aggressive feedback, ominous rhythmic percussion, short rise out
     
    2:31120 BPM
  33. Punishing Grind
    Punishing Grind4257/33
    Kevin Rix (ASCAP)
    Airy drone, distant guitar distortion, rattlesnake, ominous, pulsing feedback, long string rise into massive metallic hits, aggressive, deadly, rhythmic percussive build with pounding hits, fast action, terror
     
    2:12107 BPM
  35. Xenophobia
    Xenophobia4257/35
    Paul Dinletir (ASCAP)
    Sound Design - Rise, Jet Engine, Tornado, Whirling with Pulse, Faster and Faster, Intense Wind, Funnel Cloud
     
    0:27143 BPM
  51. Goliad
    Goliad4257/51
    Paul Dinletir (ASCAP)
    Sound Design - Rise, Jet Turbine Engine, Swirling Around, Machinery About to Explode, Stutter to Electronic Finish
     
    0:42124 BPM
  63. Magura
    Magura4257/63
    Steffan Koch (ASCAP)
    Horror Sound Design - Hit, Impact, Scary, Sliced, Knife, Slit Throat, Gasping For Help
     
    0:12114 BPM
  67. Warborn
    Warborn4257/67
    Kevin Rix (ASCAP)
    Horror Sound Design - Hit, Impact, Scary, Lock the Door, Close the Gate, Jail or Prison Cell Locking
     
    0:0995 BPM
  75. Isolation
    Isolation4257/75
    Kevin Rix (ASCAP)
    Horror Sound Design - Hit, Impact, Scary, Metal, Screech, Clank, Prison Jail Cell Door Close
     
    0:10147 BPM
  97. Lords of Hell
    Lords of Hell4257/97
    Paul Dinletir (ASCAP)
    Horror Sound Design - Swish Hit, Swoosh, Whoosh, Scary, Spooky, Breath-Like Air and Voice behind Crunchy Electronic Hit
     
    0:11133 BPM
  101. Nocturnal
    Nocturnal4257/101
    Kevin Rix (ASCAP)
    Horror Sound Design - Swish Hit, Swoosh, Whoosh, Scary, Spooky, Light and Airy until unexpecting Thud
     
    0:0992 BPM
  104. Havoc
    Havoc4257/104
    Kevin Rix (ASCAP)
    Horror Sound Design - Swish Hit, Swoosh, Whoosh, Scary, Spooky, Metallic, Clunky
     
    0:06143 BPM
  105. Evil Demise
    Evil Demise4257/105
    Paul Dinletir (ASCAP)
    Horror Sound Design - Swish Hit, Swoosh, Whoosh, Scary, Spooky, Demonic, Paranormal, Ghost Jumping Out At You, Long Tail and Ring Out
     
    0:21117 BPM
  106. Swingshot
    Swingshot4257/106
    Kevin Rix (ASCAP)
    Horror Sound Design - Swish Hit, Swoosh, Whoosh, Scary, Spooky, Alien, Digital Noise, Electronic Impact, Ones and Zeros
     
    0:14119 BPM
  108. Atlasphere
    Atlasphere4257/108
    Kevin Rix (ASCAP)
    Horror Sound Design - Swish Hit, Swoosh, Whoosh, Scary, Spooky, Here Comes the Gavel, Thud
     
    0:1297 BPM
  114. Wrong Way
    Wrong Way4257/114
    Steffan Koch (ASCAP)
    Horror Sound Design - Swish Hit, Swoosh, Whoosh, Scary, Spooky, Stutter, Flutter, Alarm Clock, Thin, Delicate
     
    0:13111 BPM
  116. Slain
    Slain4257/116
    Kevin Rix (ASCAP)
    Horror Sound Design - Swish Hit, Swoosh, Whoosh, Scary, Spooky, Wet, Sliced, Machete, Beheaded, Off With Their Heads
     
    0:13142 BPM
  119. Scabies
    Scabies4257/119
    Steffan Koch (ASCAP)
    Horror Sound Design - Swish Hit, Swoosh, Whoosh, Scary, Spooky, Swirling, Ball Peen Hammer
     
    0:09150 BPM
  123. Zangoid
    Zangoid4257/123
    Kevin Rix (ASCAP)
    Horror Sound Design - Swish Hit, Swoosh, Whoosh, Scary, Spooky, Metallic, Hard Hitting, Impact
     
    0:11145 BPM
  124. The Hive
    The Hive4257/124
    Kevin Rix (ASCAP)
    Horror Sound Design - Swish Hit, Swoosh, Whoosh, Scary, Spooky, Dark, Low, Impact
     
    0:07115 BPM
  125. Let it Burn
    Let it Burn4257/125
    Kevin Rix (ASCAP)
    Horror Sound Design - Swish Hit, Swoosh, Whoosh, Scary, Spooky, Swinging Anvil, Deep Ring Out
     
    0:12121 BPM
  126. Franklin's Hog
    Franklin's Hog4257/126
    Kevin Rix (ASCAP)
    Horror Sound Design - Swish Hit, Swoosh, Whoosh, Scary, Spooky, Distant Animal Noise Interrupted by Thunderous Hit
     
    0:08112 BPM
  127. Xenomorph
    Xenomorph4257/127
    Kevin Rix (ASCAP)
    Horror Sound Design - Swish Hit, Swoosh, Whoosh, Scary, Spooky, Alien, Disturbing, Loud, Electronic
     
    0:09159 BPM
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