Album ANW 4261Prototype

These synth-heavy and sound design-laden tracks range from raging and bleak to heroic and optimistic.

55 tracks

In the Beginning4261/1
Paul Dinletir (ASCAP)
Deep booms, pulsing bass drone, ticking synths swirl, buzzing alarm, ominous, mysterious middle, chiming keyboards, huge percussive stabs, ticking guitar layers, unrelenting tension, futuristic pads & soaring brass swell with dark wonder, glorious outro3:54
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Album: Prototype
Paul Dinletir (ASCAP)
Cybernated4261/2
Kevin Rix (ASCAP)
2 mixes
Deep cello drones with eerie highlights, dissonant pulsing synths and glitchy FX create a creepy, evil intro, massive bass drops, dark, squealing synths and low brass drive a tense middle with huge drums, sophisticated spy action2:56
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Album: Prototype
Kevin Rix (ASCAP)
2 mixes available
Black Star4261/4
Steffan Koch (ASCAP)
Sparse, creepy intro, skittering FX textures, shrill pings, massive flanging synth swells, abrasive airy slicing, deep pulsing bass, heartbeat, rattling chains, creaking machinery, crushing slams, cacophonous, intense rise, brutal, stabbing outro2:03
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Album: Prototype
Steffan Koch (ASCAP)
Cosmica4261/5
Paul Dinletir (ASCAP)
Peaceful piano chords echo over a droning synth pad with subtle FX textures, anticipation builds towards powerful distorted synth bass blasts, ticking percussion beats up to a driving, tech-savvy back end with a huge percussive back end2:36
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Album: Prototype
Paul Dinletir (ASCAP)
Crysis4261/6
Goran Dragas (BMI)
Dark and dangerous drums and powerdowns intro, deep bass drops and massive percussive rise build to huge, intense climax with apocalyptic reverse loop piano sample1:32
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Album: Prototype
Goran Dragas (BMI)
Mecha Rebellion4261/7
Kevin Rix (ASCAP)
Creepy piano, tense drone & airy intro leads to rhythmic pulsing synths, stop down with massive bass and percussive stabs, deep, distorted brass blasts build with strings and glitchy synth textures to a relentlessly urgent, driving and frenetic outro2:12
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Album: Prototype
Kevin Rix (ASCAP)
Cerebral Mutiny4261/8
Martyn Corbet (BMI)
Cold alarm pulsing urgently, driving synth bass and huge, slicing drum hits, menacing taikos march to certain doom on a lonely, alien planet, you've run out of oxygen and there's no time as the percussion and intense rise builds frantically to the end1:40
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Album: Prototype
Martyn Corbet (BMI)
Sentient4261/9
Mark Petrie (ASCAP)
2 mixes
Distant, menacing low drums, racing strings and choir build epic anticipation, sophisticated dramatic technology sci-fi spy investigation montage, elegant, heroic brass, hybrid orchestra builds to wondrous, sweeping, otherworldly outro with stabs3:09
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Album: Prototype
Mark Petrie (ASCAP)
2 mixes available
Angels of Anarchy4261/11
Danail Getz (ASCAP)
Mysterious pulsing piano and ominous pad builds to post-apocalyptic yet emotional, glitchy sci-fi suspense, long, slow burning build to tense, mid-tempo climax2:56
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Album: Prototype
Danail Getz (ASCAP)
Protosphere4261/12
Paul Dinletir (ASCAP)
Introspective and serious piano and plucked guitar pulse blend with strings and hybrid synth textures, sudden jarring, tense swirling rises create an ominous, rhythmic intensity2:49
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Album: Prototype
Paul Dinletir (ASCAP)
Coercion4261/13
Konstantinos Papalexopoulos (PRS) | Maurice Edward (PRS) | Mike Oliver (PRS)
Huge synth pad spaces lead a mysterious intro, futuristic synths swirl above massive drum and bass hits, frantic, squealing synths and hybrid elements drive an intense, fast-paced, heroic spy chase around heavy percussion and deep low end stabs2:47
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Album: Prototype
Konstantinos Papalexopoulos (PRS)
Maurice Edward (PRS)
Mike Oliver (PRS)
Training Day4261/14
Danail Getz (ASCAP)
Tense, urgent synth pulse, investigative technology hacker spy montage, futuristic tech mystery, dark sci-fi hybrid suspense gradually building to important climax2:13
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Album: Prototype
Danail Getz (ASCAP)
Fight for Your Life4261/15
Greg Townley (ASCAP)
Tense alien atmosphere, ambient synth pads, piano & drones pulsing with distorted guitar building to massive, glitchy percussive stabs, shrill alarm into driving ostinato strings and bold, heroic brass2:27
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Album: Prototype
Greg Townley (ASCAP)
Destination Moon4261/16
Paul Dinletir (ASCAP)
Tense drone with subtle highlights, becomes a neutral, light and ambient intro builds with swirling layers of futuristic synth textures2:57
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Album: Prototype
Paul Dinletir (ASCAP)
Rite of Passage4261/17
Steffan Koch (ASCAP)
Smashing swish hits, massive bending bass drops, pinging strikes, drum slams build to a tense middle with a dark piano motif, determined percussion, building rhythmic intensity for tech spy investigation montage, distorted synth swells to outro2:32
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Album: Prototype
Steffan Koch (ASCAP)
Therma4261/18
Martyn Corbet (BMI)
Tough-as-nails guitar swagger with driving synth pulse and distorted bass propelled by massive percussion with slicing hits and huge powerdowns, fuzzed-out synths keep it dark and dangerous with a building, epic, stab-filled back end1:58
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Album: Prototype
Martyn Corbet (BMI)
Transmutation4261/19
Konstantinos Papalexopoulos (PRS) | Maurice Edward (PRS) | Mike Oliver (PRS)
Ominous ticking piano and pinging pulse intro, massive bass drops and swaggering percussion create a tense, futuristic environment for a spy montage or important sci-fi apocalypse with building stabs2:39
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Album: Prototype
Konstantinos Papalexopoulos (PRS)
Maurice Edward (PRS)
Mike Oliver (PRS)
Welcome to the Chaos4261/20
Paul Dinletir (ASCAP)
Sparse, ticking Asian ethnic gong sounds, dissonant and distant, echoing, mysterious, builds ominously with deep synth bass swells; rhythmic percussion and pulsing beats drive a tense hybrid electronic middle montage, spy tech investigation2:43
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Album: Prototype
Paul Dinletir (ASCAP)
Giants of Destruction4261/21
Paul Dinletir (ASCAP)
Heavily distorted percussive slams with evil, glitchy FX, broken machinery and eerie atmospheres, distant pings and creaking, racing strings and fast drums break through to drive a tense, building hybrid orchestral back end2:24
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Album: Prototype
Paul Dinletir (ASCAP)
Virtual Suicide4261/22
Greg Townley (ASCAP)
Dark, mysterious pads and tense piano pings, smashing percussive stabs, sound design fly bys, intense sci-fi, deep bass drop powerdowns lead into rhythmic builds with distorted guitar, futuristic synths and hybrid strings to a massive, epic climax2:25
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Album: Prototype
Greg Townley (ASCAP)
Greatest Fall4261/23
Goran Dragas (BMI) | Cody Still (BMI)
2 mixes
Serious piano, somber and emotional, post-apocalyptic intro, pulsing synth pads and hybrid strings swirl with glitchy textures, heroic brass soars, mixing with grand choir for a huge building climax2:41
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Album: Prototype
Goran Dragas (BMI)
Cody Still (BMI)
2 mixes available
Divide and Conquer4261/25
Steffan Koch (ASCAP)
Creepy, textured synth pads, sparse FX swells & hits, ominous cellos ground skittering static and shrill elements, pulsing bass and percussion build intensity, ticking fear and anticipation, tense, epic and exciting hybrid orchestral climax2:40
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Album: Prototype
Steffan Koch (ASCAP)
Mission Command4261/26
Konstantinos Papalexopoulos (PRS) | Maurice Edward (PRS) | Mike Oliver (PRS)
Tense, dissonant, ticking piano, mysterious bells, FX textures, massive bass drops and futuristic synth bass pulse rise to dark, swaggering, rhythmic synth middle with hybrid strings, builds to driving, glitchy spy drama action outro with stabs3:28
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Album: Prototype
Konstantinos Papalexopoulos (PRS)
Maurice Edward (PRS)
Mike Oliver (PRS)
Blood in the Streets4261/27
Goran Dragas (BMI)
Distant synth pulse with reverse piano loops and static set a dark, post-apocalyptic texture, slicing percussion and sound design and massive distorted bass blasts build to a tense and urgent hybrid orchestral back end2:56
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Album: Prototype
Goran Dragas (BMI)
Fate of the World4261/28
Goran Dragas (BMI)
2 mixes
Dark, pounding percussion and piercing synths intro, ticking, mysterious investigation, sci-fi technological drama, important brass and strings build urgency, heavy slamming drum stabs lead to epic, huge stabbing outro with choir2:37
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Album: Prototype
Goran Dragas (BMI)
2 mixes available
Vicarious4261/30
Mark Petrie (ASCAP)
Pulsing, uncomfortable, dissonant rise with urgent, driving cellos and pounding taikos, bending brass and futuristic synths, racing strings build with heroic brass to an epic, important and intense hybrid orchestral outro with stabs2:30
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Album: Prototype
Mark Petrie (ASCAP)
Digital Defiance4261/31
Kevin Rix (ASCAP)
Dark, shrill pinging stabs with huge percussion and creepy, distant, hollow slams, pulsing synths and broken airy rises set a tense rhythm for tech investigation action spy montages, leading to a fast, percussive back end with a propulsive rise climax1:50
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Album: Prototype
Kevin Rix (ASCAP)
Rapid Malfunction4261/32
Paul Dinletir (ASCAP)
2 mixes
High, mysterious piano, skittering FX textures, deep synth pads, eerie, icy, alien intro, deep distorted bass drops lead to a tense middle, steady, rhythmic percussion and driving short strings propel an exciting spy tech investigation back end2:08
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Album: Prototype
Paul Dinletir (ASCAP)
2 mixes available
BioStorm4261/34
Kevin Rix (ASCAP)
Tense piano and FX, pinging strikes, deep, powerful, mysterious echoing booms, dark, ominous synths pulse, building with an intense rise and massive drums to a frantic back end, racing strings layer in urgently with deep bass drops and bending brass2:11
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Album: Prototype
Kevin Rix (ASCAP)
Stronghold4261/35
Steffan Koch (ASCAP)
Ticking pulse with synth pad lead to tense and driving percussion, anticipation builds with massive bass drops and propulsive hybrid synths to an exciting spy chase investigation montage back end2:18
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Album: Prototype
Steffan Koch (ASCAP)
Bang and Burn4261/36
Kevin Rix (ASCAP)
Mysterious low pulse, high, swirling drone, ticking synths create a futuristic, alien tech drama intro, distorted brass, slicing drum blasts transition to sophisticated strings and important, emotional brass, swelling stabs create darkly heroic back end3:17
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Album: Prototype
Kevin Rix (ASCAP)
Machine Overload4261/37
Greg Townley (ASCAP)
Dark and low booms, mysterious growling synths, minimal intro leads into intense blasts, massive, glitchy stabs, pulsing synth textures, technology gone wrong, bursts into huge, swaggering hybrid rock, pounding drums2:49
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Album: Prototype
Greg Townley (ASCAP)
Trixma4261/38
Goran Dragas (BMI)
Dark, evil and brutal percussion and shrill, distorted strings, smashing glitchy bass synths and sound-design heavy bombastic tension, rising and intensifying drums outro1:24
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Album: Prototype
Goran Dragas (BMI)
Android Automation4261/39
Greg Townley (ASCAP)
Tense piano pings, shrill drones, low booms set a creepy, minimal atmosphere, icy alien strings, distant, distorted guitar races frantically, massive percussive blasts, reverse loops and rhythmic, arpeggiated synths lead to an epic and emotional climax2:34
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Album: Prototype
Greg Townley (ASCAP)
25th Century4261/40
Greg Townley (ASCAP)
Light, ambient pads, pulsing synths mix with bright piano pings, distorted guitar textures swirl warmly with deep percussive hits and rock drums, swelling up to a glorious, rich and celebratory back end. Inspirational and triumphant2:41
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Album: Prototype
Greg Townley (ASCAP)
Hidden Machines4261/41
Kevin Rix (ASCAP)
2 mixes
Dark and ominous intro, sliding, eerie brass, creepy, dissonant, mysterious piano, ticking pulse, distorted bass, high, twisted trill, massive percussive slams and a rhythmic build with dark swagger, epic hybrid orchestral back end with soaring choir3:13
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Album: Prototype
Kevin Rix (ASCAP)
2 mixes available
Tronic Grit4261/43
Paul Dinletir (ASCAP)
2 mixes
Low, mysterious droning intro, skittering percussion, tense, ominous synth bass, leads to huge distorted blasts and bass drops, sci-fi tech spy drama investigation montage middle, exciting, accelerating hybrid orchestral outro with driving percussion3:11
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Album: Prototype
Paul Dinletir (ASCAP)
2 mixes available
X Theorem4261/45
Goran Dragas (BMI)
Dark and dangerous glitchy intro, pulsing, robotic textures and mechanical glitches in a tense, alien environment, rhythmic swagger, futuristic synths, and driving, frantic ostinato strings gradually build up intensity2:35
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Album: Prototype
Goran Dragas (BMI)
Insurgence4261/46
Goran Dragas (BMI)
Pounding drums and swirling synth textures create a darkly futuristic, glitchy intro, intense piano pings and synthy swagger rise into a bombastic, driving and urgent climax1:40
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Album: Prototype
Goran Dragas (BMI)
Subsonic Fury4261/47
Greg Townley (ASCAP)
Low, mysterious growls, dark, ominous pulsing intro, high tech, sci-fi video game tension, pounding drums & driving, futuristic high synths create a rhythmic swagger, ostinato strings and percussion drive an exciting hybrid orchestral outro2:42
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Album: Prototype
Greg Townley (ASCAP)
Mainframe Blackout4261/48
Greg Townley (ASCAP)
Mysterious pulsing pads swell, tense piano strikes layer in with swirling, ostinato synth strings leading to huge percussive slams, deep bass, glitchy textures, futuristic battle, heroic brass gives epic scope to the massive back end2:33
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Album: Prototype
Greg Townley (ASCAP)
Beta Zone4261/49
Kevin Rix (ASCAP)
Tense pulsing synths and ominous piano, massive distorted bass and drum slams, slow marching beat to massive bass drop power down, glitchy, huge drums propel a dark, driving, relentless back end to an epic climax1:54
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Album: Prototype
Kevin Rix (ASCAP)
Lone Wolf4261/50
Steffan Koch (ASCAP)
Dissonant panning drone, twisted chiming ping create a creepy, minimal intro, distorted synth bass, deep drops punctuate the airy space, builds with extreme panic, layering heartbeats with huge synth stabs, brutal percussion, tense rise, slicing FX2:27
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Album: Prototype
Steffan Koch (ASCAP)
End of Humanity4261/51
Cody Still (BMI)
2 mixes
Mysterious, glitchy, mechanical growling leads to futuristic synths and pulsing bass, massive slams stab into huge hybrid break, intense choir, brass and strings deliver a heroic, urgent orchestral back end2:34
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Album: Prototype
Cody Still (BMI)
2 mixes available
The Running Man4261/53
Goran Dragas (BMI)
Deep synth growls, pinging loops, enigmatic piano and mysterious pads create a tense, dark intro, ticking clocks and ominous strings swirl together with pounding percussion, slow burn building gradually to an epic, intense climax2:32
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Album: Prototype
Goran Dragas (BMI)
Void4261/54
Goran Dragas (BMI)
Ominous, shrill ping and deep bass synth pulses, heartbeats into massive slicing percussive stabs rising to an intense, bombastic drums to a relentlessly urgent back end1:24
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Album: Prototype
Goran Dragas (BMI)
Disjointed4261/55
Kevin Rix (ASCAP)
Fluttering bass synth textures, pulsing percussion, dissonant droning, mysterious intro, subtle vocal pads, sharp piano strikes and jarring metallic hits disrupt, builds a tense, ominous back end with sliding tones, menacing synths and stomping drums2:38
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Album: Prototype
Kevin Rix (ASCAP)
Doctor Satan4261/56
Kevin Rix (ASCAP)
Deep, mysterious pulsing drone with highlights punctuated by massive distorted bass blasts builds towards an urgent backend with dark, racing ostinato strings, glitchy FX and smashing drums, dark and heavy epic, evil hybrid outro2:38
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Album: Prototype
Kevin Rix (ASCAP)
Hacktivist4261/57
Martyn Corbet (BMI)
Tense, high piano ping with a skittering percussion layer, smashing drum hits disturb the peace while sliding, distorted bass flies past, heavy percussion builds to an high-intensity, relentless percussive back end1:20
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Album: Prototype
Martyn Corbet (BMI)
Life on Stars4261/58
Martyn Corbet (BMI)
2 mixes
Low, distorted booms, deep drones set a mysterious atmosphere, pulsing, futuristic synths and tense strings rise to a massive glitchy blast, emotional, ostinato strings and pounding drums, culminating in an epic hybrid orchestral and choir outro2:24
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Album: Prototype
Martyn Corbet (BMI)
2 mixes available
When Hell Broke Loose4261/60
Kevin Rix (ASCAP)
2 mixes
Long, dissonant, tense string rise intro, smashing, bending bass drops into racing, dark cello ostinatos, dangerous spy dramatic action, pounding drums, twisted brass, heroic, driving, urgent, building, epic hybrid orchestral outro with huge choir & stabs2:23
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Album: Prototype
Kevin Rix (ASCAP)
2 mixes available
Force of Nature4261/62
Paul Dinletir (ASCAP)
2 mixes
Stretched growl, sharp FX, massive bass stabs and futuristic pulse, dark intro, racing strings burst into a tensely exciting, percussive middle with bent synths, distorted brass & pounding taikos propel a driving, epic hybrid orchestral outro with choir3:09
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Album: Prototype
Paul Dinletir (ASCAP)
2 mixes available
Clash of the Machines4261/64
Kevin Rix (ASCAP)
Hollow pings and deep bass hits meld with futuristic synth textures and tons of urgent glitchy textures and FX building to a frantic, darkly heroic spy action back end with driving percussion, brass and racing strings2:18
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Album: Prototype
Kevin Rix (ASCAP)
Supermind4261/65
Konstantinos Papalexopoulos (PRS) | Maurice Edward (PRS) | Mike Oliver (PRS) | Liam David Quinn (PRS)
Ominous bass pulse and mysterious bells, synth and drums interplay with sci-fi, futuristic hybrid electronic textures, ticking urgency builds to a confident, driving, rhythmic outro with tension and swagger2:25
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Album: Prototype
Konstantinos Papalexopoulos (PRS)
Maurice Edward (PRS)
Mike Oliver (PRS)
Liam David Quinn (PRS)
Chariots of the Apocalypse4261/66
Konstantinos Papalexopoulos (PRS) | Maurice Edward (PRS) | Mike Oliver (PRS) | Ed Moris (PRS)
Mysterious and ominous bass drops, pulsing and dangerous sci-fi, gradual build to hybrid synth tension stopdown, long drop, kicks in with intense and sophisticated strings and drums with building urgency, massive stabs outro2:50
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Album: Prototype
Konstantinos Papalexopoulos (PRS)
Maurice Edward (PRS)
Mike Oliver (PRS)
Ed Moris (PRS)

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