Prototype

Album ANW 4261Prototype

Paul Dinletir (ASCAP) | Kevin Rix (ASCAP) | Steffan Koch (ASCAP) | Goran Dragas (BMI) | Martyn Corbet (BMI) | Mark Petrie (ASCAP) | Danail Getz (ASCAP) | Konstantinos Papalexopoulos (PRS) | Maurice Edward (PRS) | Mike Oliver (PRS) | Greg Townley (ASCAP) | Cody Still (BMI) | Liam David Quinn (PRS) | Ed Moris (PRS)

These synth-heavy and sound design-laden tracks range from raging and bleak to heroic and optimistic.

55 tracks

  1. In the Beginning
    In the Beginning4261/1
    Paul Dinletir (ASCAP)
    Deep booms, pulsing bass drone, ticking synths swirl, buzzing alarm, ominous, mysterious middle, chiming keyboards, huge percussive stabs, ticking guitar layers, unrelenting tension, futuristic pads & soaring brass swell with dark wonder, glorious outro
     
    3:5493 BPM
  2. Cybernated
    Cybernated4261/2
    Kevin Rix (ASCAP)
    2 mixesDeep cello drones with eerie highlights, dissonant pulsing synths and glitchy FX create a creepy, evil intro, massive bass drops, dark, squealing synths and low brass drive a tense middle with huge drums, sophisticated spy action
     
    2:56105 BPM
  3. Black Star
    Black Star4261/4
    Steffan Koch (ASCAP)
    Sparse, creepy intro, skittering FX textures, shrill pings, massive flanging synth swells, abrasive airy slicing, deep pulsing bass, heartbeat, rattling chains, creaking machinery, crushing slams, cacophonous, intense rise, brutal, stabbing outro
     
    2:03140 BPM
  4. Cosmica
    Cosmica4261/5
    Paul Dinletir (ASCAP)
    Peaceful piano chords echo over a droning synth pad with subtle FX textures, anticipation builds towards powerful distorted synth bass blasts, ticking percussion beats up to a driving, tech-savvy back end with a huge percussive back end
     
    2:36120 BPM
  5. Crysis
    Crysis4261/6
    Goran Dragas (BMI)
    Dark and dangerous drums and powerdowns intro, deep bass drops and massive percussive rise build to huge, intense climax with apocalyptic reverse loop piano sample
     
    1:32150 BPM
  6. Mecha Rebellion
    Mecha Rebellion4261/7
    Kevin Rix (ASCAP)
    Creepy piano, tense drone & airy intro leads to rhythmic pulsing synths, stop down with massive bass and percussive stabs, deep, distorted brass blasts build with strings and glitchy synth textures to a relentlessly urgent, driving and frenetic outro
     
    2:1286 BPM
  7. Cerebral Mutiny
    Cerebral Mutiny4261/8
    Martyn Corbet (BMI)
    Cold alarm pulsing urgently, driving synth bass and huge, slicing drum hits, menacing taikos march to certain doom on a lonely, alien planet, you've run out of oxygen and there's no time as the percussion and intense rise builds frantically to the end
     
    1:40120 BPM
  8. Sentient
    Sentient4261/9
    Mark Petrie (ASCAP)
    2 mixesDistant, menacing low drums, racing strings and choir build epic anticipation, sophisticated dramatic technology sci-fi spy investigation montage, elegant, heroic brass, hybrid orchestra builds to wondrous, sweeping, otherworldly outro with stabs
     
    3:09110 BPM
  9. Angels of Anarchy
    Angels of Anarchy4261/11
    Danail Getz (ASCAP)
    Mysterious pulsing piano and ominous pad builds to post-apocalyptic yet emotional, glitchy sci-fi suspense, long, slow burning build to tense, mid-tempo climax
     
    2:56120 BPM
  10. Protosphere
    Protosphere4261/12
    Paul Dinletir (ASCAP)
    Introspective and serious piano and plucked guitar pulse blend with strings and hybrid synth textures, sudden jarring, tense swirling rises create an ominous, rhythmic intensity
     
    2:49
  12. Training Day
    Training Day4261/14
    Danail Getz (ASCAP)
    Tense, urgent synth pulse, investigative technology hacker spy montage, futuristic tech mystery, dark sci-fi hybrid suspense gradually building to important climax
     
    2:13110 BPM
  13. Fight for Your Life
    Fight for Your Life4261/15
    Greg Townley (ASCAP)
    Tense alien atmosphere, ambient synth pads, piano & drones pulsing with distorted guitar building to massive, glitchy percussive stabs, shrill alarm into driving ostinato strings and bold, heroic brass
     
    2:27113 BPM
  14. Destination Moon
    Destination Moon4261/16
    Paul Dinletir (ASCAP)
    Tense drone with subtle highlights, becomes a neutral, light and ambient intro builds with swirling layers of futuristic synth textures
     
    2:57103 BPM
  15. Rite of Passage
    Rite of Passage4261/17
    Steffan Koch (ASCAP)
    Smashing swish hits, massive bending bass drops, pinging strikes, drum slams build to a tense middle with a dark piano motif, determined percussion, building rhythmic intensity for tech spy investigation montage, distorted synth swells to outro
     
    2:32120 BPM
  16. Therma
    Therma4261/18
    Martyn Corbet (BMI)
    Tough-as-nails guitar swagger with driving synth pulse and distorted bass propelled by massive percussion with slicing hits and huge powerdowns, fuzzed-out synths keep it dark and dangerous with a building, epic, stab-filled back end
     
    1:58140 BPM
  18. Welcome to the Chaos
    Welcome to the Chaos4261/20
    Paul Dinletir (ASCAP)
    Sparse, ticking Asian ethnic gong sounds, dissonant and distant, echoing, mysterious, builds ominously with deep synth bass swells; rhythmic percussion and pulsing beats drive a tense hybrid electronic middle montage, spy tech investigation
     
    2:43120 BPM
  19. Giants of Destruction
    Giants of Destruction4261/21
    Paul Dinletir (ASCAP)
    Heavily distorted percussive slams with evil, glitchy FX, broken machinery and eerie atmospheres, distant pings and creaking, racing strings and fast drums break through to drive a tense, building hybrid orchestral back end
     
    2:24116 BPM
  20. Virtual Suicide
    Virtual Suicide4261/22
    Greg Townley (ASCAP)
    Dark, mysterious pads and tense piano pings, smashing percussive stabs, sound design fly bys, intense sci-fi, deep bass drop powerdowns lead into rhythmic builds with distorted guitar, futuristic synths and hybrid strings to a massive, epic climax
     
    2:2595 BPM
  21. Greatest Fall
    Greatest Fall4261/23
    Goran Dragas (BMI)Cody Still (BMI)
    2 mixesSerious piano, somber and emotional, post-apocalyptic intro, pulsing synth pads and hybrid strings swirl with glitchy textures, heroic brass soars, mixing with grand choir for a huge building climax
     
    2:41110 BPM
  22. Divide and Conquer
    Divide and Conquer4261/25
    Steffan Koch (ASCAP)
    Creepy, textured synth pads, sparse FX swells & hits, ominous cellos ground skittering static and shrill elements, pulsing bass and percussion build intensity, ticking fear and anticipation, tense, epic and exciting hybrid orchestral climax
     
    2:40120 BPM
  24. Blood in the Streets
    Blood in the Streets4261/27
    Goran Dragas (BMI)
    Distant synth pulse with reverse piano loops and static set a dark, post-apocalyptic texture, slicing percussion and sound design and massive distorted bass blasts build to a tense and urgent hybrid orchestral back end
     
    2:56119 BPM
  25. Fate of the World
    Fate of the World4261/28
    Goran Dragas (BMI)
    2 mixesDark, pounding percussion and piercing synths intro, ticking, mysterious investigation, sci-fi technological drama, important brass and strings build urgency, heavy slamming drum stabs lead to epic, huge stabbing outro with choir
     
    2:37120 BPM
  26. Vicarious
    Vicarious4261/30
    Mark Petrie (ASCAP)
    Pulsing, uncomfortable, dissonant rise with urgent, driving cellos and pounding taikos, bending brass and futuristic synths, racing strings build with heroic brass to an epic, important and intense hybrid orchestral outro with stabs
     
    2:30112 BPM
  27. Digital Defiance
    Digital Defiance4261/31
    Kevin Rix (ASCAP)
    Dark, shrill pinging stabs with huge percussion and creepy, distant, hollow slams, pulsing synths and broken airy rises set a tense rhythm for tech investigation action spy montages, leading to a fast, percussive back end with a propulsive rise climax
     
    1:5094 BPM
  28. Rapid Malfunction
    Rapid Malfunction4261/32
    Paul Dinletir (ASCAP)
    2 mixesHigh, mysterious piano, skittering FX textures, deep synth pads, eerie, icy, alien intro, deep distorted bass drops lead to a tense middle, steady, rhythmic percussion and driving short strings propel an exciting spy tech investigation back end
     
    2:0899 BPM
  29. BioStorm
    BioStorm4261/34
    Kevin Rix (ASCAP)
    Tense piano and FX, pinging strikes, deep, powerful, mysterious echoing booms, dark, ominous synths pulse, building with an intense rise and massive drums to a frantic back end, racing strings layer in urgently with deep bass drops and bending brass
     
    2:11110 BPM
  30. Stronghold
    Stronghold4261/35
    Steffan Koch (ASCAP)
    Ticking pulse with synth pad lead to tense and driving percussion, anticipation builds with massive bass drops and propulsive hybrid synths to an exciting spy chase investigation montage back end
     
    2:18135 BPM
  31. Bang and Burn
    Bang and Burn4261/36
    Kevin Rix (ASCAP)
    Mysterious low pulse, high, swirling drone, ticking synths create a futuristic, alien tech drama intro, distorted brass, slicing drum blasts transition to sophisticated strings and important, emotional brass, swelling stabs create darkly heroic back end
     
    3:17110 BPM
  32. Machine Overload
    Machine Overload4261/37
    Greg Townley (ASCAP)
    Dark and low booms, mysterious growling synths, minimal intro leads into intense blasts, massive, glitchy stabs, pulsing synth textures, technology gone wrong, bursts into huge, swaggering hybrid rock, pounding drums
     
    2:49110 BPM
  33. Trixma
    Trixma4261/38
    Goran Dragas (BMI)
    Dark, evil and brutal percussion and shrill, distorted strings, smashing glitchy bass synths and sound-design heavy bombastic tension, rising and intensifying drums outro
     
    1:2488 BPM
  34. Android Automation
    Android Automation4261/39
    Greg Townley (ASCAP)
    Tense piano pings, shrill drones, low booms set a creepy, minimal atmosphere, icy alien strings, distant, distorted guitar races frantically, massive percussive blasts, reverse loops and rhythmic, arpeggiated synths lead to an epic and emotional climax
     
    2:3485 BPM
  35. 25th Century
    25th Century4261/40
    Greg Townley (ASCAP)
    Light, ambient pads, pulsing synths mix with bright piano pings, distorted guitar textures swirl warmly with deep percussive hits and rock drums, swelling up to a glorious, rich and celebratory back end. Inspirational and triumphant
     
    2:41110 BPM
  36. Hidden Machines
    Hidden Machines4261/41
    Kevin Rix (ASCAP)
    2 mixesDark and ominous intro, sliding, eerie brass, creepy, dissonant, mysterious piano, ticking pulse, distorted bass, high, twisted trill, massive percussive slams and a rhythmic build with dark swagger, epic hybrid orchestral back end with soaring choir
     
    3:13120 BPM
  37. Tronic Grit
    Tronic Grit4261/43
    Paul Dinletir (ASCAP)
    2 mixesLow, mysterious droning intro, skittering percussion, tense, ominous synth bass, leads to huge distorted blasts and bass drops, sci-fi tech spy drama investigation montage middle, exciting, accelerating hybrid orchestral outro with driving percussion
     
    3:11120 BPM
  38. X Theorem
    X Theorem4261/45
    Goran Dragas (BMI)
    Dark and dangerous glitchy intro, pulsing, robotic textures and mechanical glitches in a tense, alien environment, rhythmic swagger, futuristic synths, and driving, frantic ostinato strings gradually build up intensity
     
    2:35130 BPM
  39. Insurgence
    Insurgence4261/46
    Goran Dragas (BMI)
    Pounding drums and swirling synth textures create a darkly futuristic, glitchy intro, intense piano pings and synthy swagger rise into a bombastic, driving and urgent climax
     
    1:40120 BPM
  40. Subsonic Fury
    Subsonic Fury4261/47
    Greg Townley (ASCAP)
    Low, mysterious growls, dark, ominous pulsing intro, high tech, sci-fi video game tension, pounding drums & driving, futuristic high synths create a rhythmic swagger, ostinato strings and percussion drive an exciting hybrid orchestral outro
     
    2:42120 BPM
  41. Mainframe Blackout
    Mainframe Blackout4261/48
    Greg Townley (ASCAP)
    Mysterious pulsing pads swell, tense piano strikes layer in with swirling, ostinato synth strings leading to huge percussive slams, deep bass, glitchy textures, futuristic battle, heroic brass gives epic scope to the massive back end
     
    2:33106 BPM
  42. Beta Zone
    Beta Zone4261/49
    Kevin Rix (ASCAP)
    Tense pulsing synths and ominous piano, massive distorted bass and drum slams, slow marching beat to massive bass drop power down, glitchy, huge drums propel a dark, driving, relentless back end to an epic climax
     
    1:54107 BPM
  43. Lone Wolf
    Lone Wolf4261/50
    Steffan Koch (ASCAP)
    Dissonant panning drone, twisted chiming ping create a creepy, minimal intro, distorted synth bass, deep drops punctuate the airy space, builds with extreme panic, layering heartbeats with huge synth stabs, brutal percussion, tense rise, slicing FX
     
    2:27160 BPM
  44. End of Humanity
    End of Humanity4261/51
    Cody Still (BMI)
    2 mixesMysterious, glitchy, mechanical growling leads to futuristic synths and pulsing bass, massive slams stab into huge hybrid break, intense choir, brass and strings deliver a heroic, urgent orchestral back end
     
    2:34135 BPM
  45. The Running Man
    The Running Man4261/53
    Goran Dragas (BMI)
    Deep synth growls, pinging loops, enigmatic piano and mysterious pads create a tense, dark intro, ticking clocks and ominous strings swirl together with pounding percussion, slow burn building gradually to an epic, intense climax
     
    2:32120 BPM
  46. Void
    Void4261/54
    Goran Dragas (BMI)
    Ominous, shrill ping and deep bass synth pulses, heartbeats into massive slicing percussive stabs rising to an intense, bombastic drums to a relentlessly urgent back end
     
    1:24130 BPM
  47. Disjointed
    Disjointed4261/55
    Kevin Rix (ASCAP)
    Fluttering bass synth textures, pulsing percussion, dissonant droning, mysterious intro, subtle vocal pads, sharp piano strikes and jarring metallic hits disrupt, builds a tense, ominous back end with sliding tones, menacing synths and stomping drums
     
    2:38105 BPM
  48. Doctor Satan
    Doctor Satan4261/56
    Kevin Rix (ASCAP)
    Deep, mysterious pulsing drone with highlights punctuated by massive distorted bass blasts builds towards an urgent backend with dark, racing ostinato strings, glitchy FX and smashing drums, dark and heavy epic, evil hybrid outro
     
    2:38110 BPM
  49. Hacktivist
    Hacktivist4261/57
    Martyn Corbet (BMI)
    Tense, high piano ping with a skittering percussion layer, smashing drum hits disturb the peace while sliding, distorted bass flies past, heavy percussion builds to an high-intensity, relentless percussive back end
     
    1:20140 BPM
  50. Life on Stars
    Life on Stars4261/58
    Martyn Corbet (BMI)
    2 mixesLow, distorted booms, deep drones set a mysterious atmosphere, pulsing, futuristic synths and tense strings rise to a massive glitchy blast, emotional, ostinato strings and pounding drums, culminating in an epic hybrid orchestral and choir outro
     
    2:2492 BPM
  51. When Hell Broke Loose
    When Hell Broke Loose4261/60
    Kevin Rix (ASCAP)
    2 mixesLong, dissonant, tense string rise intro, smashing, bending bass drops into racing, dark cello ostinatos, dangerous spy dramatic action, pounding drums, twisted brass, heroic, driving, urgent, building, epic hybrid orchestral outro with huge choir & stabs
     
    2:2391 BPM
  52. Force of Nature
    Force of Nature4261/62
    Paul Dinletir (ASCAP)
    2 mixesStretched growl, sharp FX, massive bass stabs and futuristic pulse, dark intro, racing strings burst into a tensely exciting, percussive middle with bent synths, distorted brass & pounding taikos propel a driving, epic hybrid orchestral outro with choir
     
    3:0986 BPM
  53. Clash of the Machines
    Clash of the Machines4261/64
    Kevin Rix (ASCAP)
    Hollow pings and deep bass hits meld with futuristic synth textures and tons of urgent glitchy textures and FX building to a frantic, darkly heroic spy action back end with driving percussion, brass and racing strings
     
    2:18107 BPM
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