Piano Premonitions: Parallels

Album ANW 4265Piano Premonitions: Parallels

Richard Canavan (PRS) | Harry Lightfoot (PRS) | Paul Dinletir (ASCAP) | Michael Emmerson Collins (PRS) | Daniel Lozinski (PRS) | Thomas Habuda (BMI) | Steffan Koch (ASCAP) | Jeff Marsh (BMI) | Mark Griskey (ASCAP) | Peter Mauder (PRS) | Jordan Rees (PRS)

A generous collection of piano and keyboard-based cues spanning a broad musical palette. Moods range from bright, romantic and curious to sombre and plaintive, with moments of tension and mystery.

46 tracks

  1. Lucid Dreaming
    Lucid Dreaming4265/1
    Richard Canavan (PRS)
    Calm and contemplative piano and strings; builds to driving, serious middle and outro. Romance, Period Drama, Investigation
     
    1:51112 BPM
  2. Tenacious
    Tenacious4265/2
    Harry Lightfoot (PRS)
    Synth intro, modern sounds, piano chord progression, investigation, anticipation, smart drama, tech, building with light percussion, bass and gradually building rhythm.
     
    2:49130 BPM
  3. Searching the Soul
    Searching the Soul4265/3
    Paul Dinletir (ASCAP)
    Light piano, synth pulse and string ostinato intro, contemplative and warm, pastoral, family, romantic, positive progress, emotional, building and sweeping orchestral
     
    2:08120 BPM
  5. Greatest Discovery
    Greatest Discovery4265/5
    Daniel Lozinski (PRS)
    Serious piano, ticking, time, contemplative, emotional, important, percussive, synths, investigation, montage, technology, building with strings, ascending, positive
     
    2:07120 BPM
  7. Tears in Rain
    Tears in Rain4265/7
    Thomas Habuda (BMI)
    Minimal piano motif, simple intro, introspective, emotional, neoclassical, ostinatos, optimistic, woodwinds, building with bells, swirling and positive, magical, wonderment, beautiful
     
    2:5385 BPM
  8. Answers From The Unknown
    Answers From The Unknown4265/8
    Harry Lightfoot (PRS)
    Mysterious piano arpeggios, austere strings and curious woodwinds, magical, inquisitive, anticipation, wonderment, science, progress, twinkling, building, hybrid, promise of greatness
     
    2:56110 BPM
  9. Disconnected Lives
    Disconnected Lives4265/9
    Daniel Lozinski (PRS)
    Serious piano chords and synth pad sets an ominous tone, technology, investigation, contemplative, pulsing, neoclassical, period, gradually building, low percussion, mysterious
     
    2:01133 BPM
  10. Falling Star
    Falling Star4265/10
    Thomas Habuda (BMI)
    Time, bass pulse, piano pings, technology, introspective, emotional, futuristic, FX, mysterious, ticking, beautiful, seductive, building, synth, airy, swelling
     
    2:01130 BPM
  11. Jupiter
    Jupiter4265/11
    Richard Canavan (PRS)
    2 mixesLight dramatic piano chords and anticipatory strings, anticipation, pastoral, family, gradually building orchestra and percussion, pulsing, wonderment, beautiful mystery
     
    3:04115 BPM
  12. Departure
    Departure4265/13
    Richard Canavan (PRS)
    Piano pings, mysterious, minimal, strings, investigation, serious, pulsing synth percussion, builds to swelling and emotional climax, sad, beautiful, dramatic
     
    2:02111 BPM
  13. White Lies
    White Lies4265/14
    Steffan Koch (ASCAP)
    Serious piano chords and tense synth pad with subtle FX; ominous, anticipatory intro, futuristic pings and tubular bells, driving low synth bass pulse, technology, investigation, dark drama, spy
     
    1:26100 BPM
  14. Newer Life
    Newer Life4265/15
    Jeff Marsh (BMI)
    Minimal piano motif, low pulsing synths, warm, calm, ambient, Eno, neutral, vocal, beautiful, introspective
     
    1:59100 BPM
  15. I Saw You In A Dream
    I Saw You In A Dream4265/16
    Harry Lightfoot (PRS)
    Low, muffled piano intro, sparse chords, minimal, anticipation, serious percussion accents, montage, triumphant beginnings, brushed snare, gradually building progress, positive achievement, pastoral, bright
     
    2:26110 BPM
  16. Harmony in Disorder
    Harmony in Disorder4265/17
    Thomas Habuda (BMI)
    Mysterious piano motif, time, gradually building with low synth FX, cellos, deep percussion accents, repetition, magical, wonderment, anticipation, tension, brass swells, steadily evolving, swelling with vocal pad
     
    2:1095 BPM
  17. Wired Motions
    Wired Motions4265/18
    Paul Dinletir (ASCAP)
    Emotional, neoclassical hybrid, piano arpeggios and pulsing synth pads, gradually building and swelling, romantic, futuristic
     
    2:08160 BPM
  18. Last Train to Nowhere
    Last Train to Nowhere4265/19
    Harry Lightfoot (PRS)
    Serious piano ostinato motif intro, montage, swirling and building steadily and relentlessly with pulsing synth percussion and low bass, grinding, distorted guitar and string accents add emotion and texture; driving, urgent and important climax
     
    2:2990 BPM
  19. Through the Fog
    Through the Fog4265/20
    Mark Griskey (ASCAP)
    Warm, emotional piano arpeggiated motif, positive synth pads and low percussion accents, montage, romantic, family, serious
     
    1:2090 BPM
  20. Drawn In
    Drawn In4265/21
    Peter Mauder (PRS)
    Sparse, muffled piano strikes, mischievous, mysterious, light yet ominously curious, low droning pad and highlights add to overall intrigue and tension, wonderment, gradually building yet abstract
     
    2:33111 BPM
  21. Empty Mirror
    Empty Mirror4265/22
    Thomas Habuda (BMI)
    2 mixesTreated toy piano strikes, distant droning pad intro, leads to mischievous tango-like middle, plucked strings, ticking FX, time passing, mysterious yet seductive, serious, gradually building with orchestra, choir and tapping percussion
     
    2:16160 BPM
  22. Reminiscence
    Reminiscence4265/24
    Harry Lightfoot (PRS)
    Emotional, contemplative and nostalgic, slightly heroic, pastoral, family, in memoriam, montage, sweet piano motif builds with lush strings to a beautiful, inspirational middle, swelling to an orchestral climax
     
    2:40104 BPM
  23. Glimmer from the Past
    Glimmer from the Past4265/25
    Jordan Rees (PRS)
    Insistent piano motif and synth glimmers and FX with string tremolos make for an anticipatory intro, ticking time, mysterious, wonderment, futuristic, investigation, montage, intro
     
    1:13100 BPM
  24. Gliding Hope
    Gliding Hope4265/26
    Steffan Koch (ASCAP)
    Inspirational piano with reverb, bass and synth percussion accents and FX make for a determined intro, swelling with chiming synths, inspirational and serious, emotional, uplifting, triumphant montage
     
    1:44120 BPM
  25. Until the End
    Until the End4265/27
    Harry Lightfoot (PRS)
    Distant, simple arpeggiated piano motif intro, serious and emotional, builds with driving synth pulse, montage, perseverance, insistent guitar accents build with lush strings, determination, anticipation, introspective drama
     
    2:06120 BPM
  26. Contemplate Fate
    Contemplate Fate4265/28
    Peter Mauder (PRS)
    Serious piano motif intro, emotional, contemplative, sad, gradually building with strings, calm, repeating ostinatos, swirling synth pad, montage of sadness
     
    2:49111 BPM
  27. In the Moonlight
    In the Moonlight4265/29
    Jordan Rees (PRS)
    Sweet, plaintive piano intro motif, magical bells, childlike and tender, waltz, dreamlike, wonderment, montage, intro
     
    1:21120 BPM
  29. Don't Give Up On Me
    Don't Give Up On Me4265/31
    Thomas Habuda (BMI)
    Emotional piano chords swell with lush strings for a serious, tender, romantic interlude. Pastoral and sweeping, with chiming bells and a calm, sweet motif.
     
    1:33107 BPM
  30. In the Reverie
    In the Reverie4265/32
    Peter Mauder (PRS)
    Sparse, distant piano strikes with reverb, sci-fi, anticipation, space, mysterious, wonderment, beautiful, dreamlike, synth pads, building, montage, introspective
     
    1:48110 BPM
  31. Seldomness
    Seldomness4265/33
    Jeff Marsh (BMI)
    Sparse, chiming piano strikes like a clock with echo, building with synth pads, mysterious and anticipatory tension, time passing montage, investigation, ambient, futuristic intro
     
    1:1795 BPM
  32. Love's Ascension
    Love's Ascension4265/34
    Harry Lightfoot (PRS)
    Light piano arpeggios set an inspirational tone of progress and positivity, research, anticipation, montage, intro, building with lush strings and cymbal swells, triumphant and emotional, friendly, happy, wonderment, family reunion
     
    2:41121 BPM
  33. Memories Dissolve
    Memories Dissolve4265/35
    Peter Mauder (PRS)
    Mysterious, tense and sparse piano intro, echoing anticipation, wonderment, minimal tension, magical, time passing, montage, ambient
     
    1:4597 BPM
  34. In the Shadow of Time
    In the Shadow of Time4265/36
    Thomas Habuda (BMI)
    Emotional yet simple arpeggiated piano motif, sweet yet sad, builds with beautiful melodic movement, magical bells, lush strings and subtle cymbal crashes, swells up with orchestra to a triumphant, sweeping climax.
     
    3:09109 BPM
  35. Fifth Witness
    Fifth Witness4265/37
    Peter Mauder (PRS)
    Minimal synth droning pad with subtle highlights, sci-fi, sparse piano motif, anticipation, time passing, investigation, tension, montage, intro, ominous, mysterious, gradually building with persistent rhythmic piano ostinatos and low end accents
     
    3:5593 BPM
  37. Final Days
    Final Days4265/39
    Harry Lightfoot (PRS)
    Sparse, serious piano motif, emotional yet beautiful, textured string accents add tension and mystery, light bells add magical suspense, montage, intro, gradually building over passing time
     
    2:4289 BPM
  38. Gone But Not Forgotten
    Gone But Not Forgotten4265/40
    Thomas Habuda (BMI)
    Ticking percussion and piano mark the passing of time, layering in with a lightly mysterious, yet emotional motif, family, synth vocal pad, swelling up to emotional climax with lush, ostinato cello and strings
     
    2:03109 BPM
  39. Lonely Side of the Moon
    Lonely Side of the Moon4265/41
    Thomas Habuda (BMI)
    2 mixesMinimal arpeggiated piano motif, distant, subtle synth highlights, emotional yet sparse intro, whispery abstract vocals, haunting, mysterious, sci-fi, visceral, gradually building, Beethoven, lush cello swells with dramatic strings
     
    3:4487 BPM
  40. Twelve Tone
    Twelve Tone4265/43
    Jeff Marsh (BMI)
    Mysterious piano intro, arpeggiated tension, investigation, noir, ominous synth bells and tense strings, creepy, haunting, dark, low percussion accents, montage, intro
     
    1:25117 BPM
  41. In Hope We Trust
    In Hope We Trust4265/44
    Harry Lightfoot (PRS)
    Single, repeated piano note builds with chord progression, montage, introspective, investigation, intro, interlude, positive, yet tentative, anticipation, layers of retro pulsing synths, progress, futuristic, lush strings, inspirational
     
    2:50100 BPM
  42. Mystic Forest
    Mystic Forest4265/45
    Jeff Marsh (BMI)
    Light, sparse yet positive piano intro with high droning synth pad and textured FX, mysterious, magical vocal pad, subtle, minimal, wonderment
     
    1:3786 BPM
  43. A Helping Hand
    A Helping Hand4265/46
    Thomas Habuda (BMI)
    Sweet, emotional piano motif with light harp and tender strings layer with a subtle vocal pad, family, romance, emotional cello and lush orchestra swell for a beautiful, yet restrained climax, montage, intro, positive
     
    1:42133 BPM
  44. Endeavor
    Endeavor4265/47
    Harry Lightfoot (PRS)
    Sweet, simple piano intro with light strings, somber, introspective, serious, calm, swelling with a tympani roll and subtle booms with lush orchestra; emotional climax with twinkling chime and proud percussion for an inspirational, triumphant turn
     
    2:37116 BPM
  45. Reality
    Reality4265/48
    Jeff Marsh (BMI)
    Introspective piano intro with subtle droning pad with highlights, twinkling, mysterious, futuristic FX, low, driving synth bass pulse layers in, montage, investigation, ominous, mysterious, low booming percussion accents
     
    1:26101 BPM
  46. Precognition
    Precognition4265/49
    Michael Emmerson Collins (PRS)
    Reverse piano ping with synth accents, ominous investigation, crime scene, mysterious intro, sci-fi, tension, anticipation, minimal montage, gradually builds to serious strings and pulsing synths with futuristic urgency, bending, buzzing
     
    1:53108 BPM
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