Cinematix

Album ANW 4297Cinematix

Paul Dinletir (ASCAP)

Experiments in breath, rhythm, texture and space, interwoven with live orchestral performances, Cinematix is an expression of waking dreams.

20 tracks

  1. Evalia
    Evalia4297/1
    Paul Dinletir (ASCAP)
    2 mixesMystical drone and voice set a haunting tone as plucked strings layer with sliding brass swells, somber cello and a determined bass pulse. Cascades of war drums hammer as tense strings race with wailing vocals to a pounding and impassioned finale.
     
    2:45116 BPM
  2. Dusk of War
    Dusk of War4297/3
    Paul Dinletir (ASCAP)
    3 mixesSomber piano notes usher in anticipatory strings and synth squalls. Drum charges up, leading a chorus that bursts forth as ethereal vocals swirl. All elements combine in an epic cry to the heavens that soars and breaks, leaving only a piano coda.
     
    2:4789 BPM
  3. Guardian Angels
    Guardian Angels4297/6
    Paul Dinletir (ASCAP)
    3 mixesHeavy boom-claps crunch to a rushing breath, rhythmic guitar chimes and electric vocalizations that surround a growling, ticking neon synthscape. Solo vocals boom to a cacophony of somber orchestra and determined choir marching toward dystopia.
     
    2:34128 BPM
  4. The Last Tornado
    The Last Tornado4297/9
    Paul Dinletir (ASCAP)
    3 mixesDroning strings and hums let rumbling synth darken the world. Cascades of epic drums and tense strings battle. Low synth anchors as the war erupts into intense violin. Angelic choral layers surge over a bombastic, battle-ready orchestral climax.
     
    3:1886 BPM
  5. First Deviation
    First Deviation4297/12
    Paul Dinletir (ASCAP)
    2 mixesRhythmic vocal beats pulse as tense synth swells rise and fall like alien breaths. Waves of strings race from an imposing rush of dark synth, gritty blasts and urgent drum clusters as a final guitar squall surges to a stabbing vocal reprise.
     
    3:09128 BPM
  6. Sleep Games
    Sleep Games4297/14
    Paul Dinletir (ASCAP)
    Thudding bass strikes and warbling strings step into a rhythmic, swirling howl that extends dark tendrils. The bass returns with an evil, howling drone, shrill strings and a pounding drum building relentlessly to a glitching, dense climax.
     
    2:57136 BPM
  7. Burning Skies
    Burning Skies4297/15
    Paul Dinletir (ASCAP)
    3 mixesBooming squalls slide as mystical string layers crash into a warped, neon synthscape. Haunting vocals and a pulsing bass give way to imperious strings and a cascade of pounding drums while choral layers surge to an angelic cacophony of epic might.
     
    3:44106 BPM
  8. Ten Thousand Warriors
    Ten Thousand Warriors4297/18
    Paul Dinletir (ASCAP)
    2 mixesCavernous booms and a tense whine lead a swirling, dark dronescape. Determined strings and pounding drum march, growing in scale. The orchestra leads a holy crusade, swelling with angelic choir to a massive climax, and a declaration of vengeance.
     
    2:30106 BPM
  9. Second Deviation
    Second Deviation4297/20
    Paul Dinletir (ASCAP)
    2 mixesDroning hum churns into whining synth that expands and squalls, buzzing and crashing as piano pings and quick strings rush around neon gurgles. Imperious brass and strings layer with gritty synth and pounding drum, charging forward to an epic finale.
     
    3:03107 BPM
  10. Fountain of Passages
    Fountain of Passages4297/22
    Paul Dinletir (ASCAP)
    2 mixesHollow percussion and wicked cello stab an ominous rhythm over a warbling tick-tock. Somber string layers swell, joined by a boom-clap, lead violin and choir rising in prayer, as the steady march towards the inescapable fate of lost souls stomps on.
     
    3:16119 BPM
  11. Intruders at the Gate
    Intruders at the Gate4297/24
    Paul Dinletir (ASCAP)
    3 mixesEerie strings bend to low drones as a bass pulse menaces. Airy pings and string ostinatos bounce as ticking and distorted piano are joined by strict pulsing and haunting vocals. Explosions of synth crash over wails and a final orchestral testimony.
     
    3:18160 BPM
  12. We Still Believe
    We Still Believe4297/27
    Paul Dinletir (ASCAP)
    3 mixesBreaths crash into sliding synth drone and piano pings. Shimmering synth layers slide as somber strings reverberate. Breathy vocals drive an imperial orchestral charge, commanding the strings, dark brass and holy choir towards a heavenly climax.
     
    3:50108 BPM
  13. The Fall of Sira
    The Fall of Sira4297/30
    Paul Dinletir (ASCAP)
    3 mixesTragic cello lifted by a liquid synthscape while booming taikos and neon vocal pulses join pounding drums echoing into a tense, sliding synthscape. Drums and sticks march strings, orchestra and choir layers to a dignified finale and synth cooldown.
     
    3:59100 BPM
  14. Not From Here
    Not From Here4297/33
    Paul Dinletir (ASCAP)
    Eerie piano against low, washing drone. Tense whine and pulsing bass warps into synthscape waves. Jagged synth growls turn the world violent while stuttering glitches warble and howling tones swirl over steady drums into a tense, booming finale.
     
    3:11140 BPM
  15. Preparing for Battle
    Preparing for Battle4297/34
    Paul Dinletir (ASCAP)
    2 mixesWaves of warbling hum as howling drone makes way for a neon beep, with rushing strings and glitchy tones. Pulsing bass charges a cacophony of drums and intense orchestral climb, tumbling with soaring choir layers that fall to final swirling blips.
     
    3:0490 BPM
  16. The Last Survivors
    The Last Survivors4297/36
    Paul Dinletir (ASCAP)
    3 mixesEthereal dronescape broken by vicious stabs. Quick and deadly strings push against a grumbling synth as breathy vocals swirl, joined by a choir that tumbles into a rush of tense strings and drums, climbing to a massive finale and final synth tag.
     
    2:52120 BPM
  17. Third Deviation
    Third Deviation4297/39
    Paul Dinletir (ASCAP)
    2 mixesPiano and echoing boom as haunting dronescape howls, pulsing and pitter-pattering into rushing strings. Pulsing bass and piano are swept up in a pounding cascade of urgent drums, as a heroic orchestra and choir suit up for a bloody clash of armies.
     
    2:43107 BPM
  18. Time to Save the World
    Time to Save the World4297/41
    Paul Dinletir (ASCAP)
    2 mixesFrantic strings and pulsing synthscape relents only a bit when the violin rises to lead, until pounding taikos barge in. Piano and strings tumble as the violin finds a voice once more. Everything collides and charges to an epic orchestral end.
     
    3:02102 BPM
  19. The Last Battle
    The Last Battle4297/43
    Paul Dinletir (ASCAP)
    2 mixesDemanding synth blasts against piano strikes and dark strings. Doomed choir surges, pushing strings, solemn brass swells and pings into a harsh synthscape. Cascades of urgent drums drive apocalyptic brass and voices into an epic orchestral finale.
     
    2:44120 BPM
  20. Our Heroes Return
    Our Heroes Return4297/45
    Paul Dinletir (ASCAP)
    2 mixesCalm piano and breath swims as low bass ushers string drags and tense whines. Slashing darkness reveals a pitter-pattering tick. Bold orchestra swells with synth waves and angelic choir as epic drums jolt upward, hurtling to a mournful finale.
     
    3:07100 BPM
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