Chrome Over Brass 2

Album ANW 4291Chrome Over Brass 2

Stuart Roslyn (PRS) | Matthew Foundling (PRS) | Paul Dinletir (ASCAP) | Daniel Tauber (ASCAP) | Harry Lightfoot (PRS) | Martyn Corbet (BMI)

Lively drum kits, twisty bass grooves and subtle sound design designed to bring humour and energy to your project.

29 tracks

  2. Roll the Dice
    Roll the Dice4291/2
    Paul Dinletir (ASCAP)Daniel Tauber (ASCAP)
    Snaps, jangling coins and a light, jazzy beat set a money-grubbing tone; driving toms kick in as the excitement builds on Wall Street; a huge rise and relentless snare rolls fuel the frenzy of the back end - will it be heads or tails?
     
    1:15120 BPM
  3. Keep It Cool
    Keep It Cool4291/3
    Harry Lightfoot (PRS)
    Drumstick ticking time meets funky metal percussion and low end trash cans, building to a high energy swell; the neighborhood joins in with hand claps, shakers, bongos as a rise builds a quick whoosh out.
     
    1:29120 BPM
  4. Canary
    Canary4291/4
    Martyn Corbet (BMI)
    Rio calling! High energy rhythms, cajons, taikos, surdos, castanets, booming bass drums, timpanis, repinique beats, African shakers and fast tom fills lead the parade; samba funk builds an epic groove including timbales, triangles and cowbells.
     
    1:36128 BPM
  5. Winner's Circle
    Winner's Circle4291/5
    Stuart Roslyn (PRS)
    A funky groove laid down by cymbals, hand claps, clanging bells, wood blocks and stomping floor tom builds to a full on staunch with massive low end and big fills.
     
    2:14120 BPM
  6. The Mark
    The Mark4291/6
    Harry Lightfoot (PRS)
    Quick, exciting global drum kit beat ticks time with booming stomps, brisk sticks, distorted hits and FX, driving bongos, taikos, congas, and hand claps; back end builds together with an intense airy rise.
     
    1:13140 BPM
  7. Instigator
    Instigator4291/7
    Martyn Corbet (BMI)
    A steady march of boots on the ground, with drum corps snares and concert bass drums keeping a relentless pace; rhythm builds with layers of tribal percussion: sticks, beggar drums, dumbeks, frame drums and electro kicks lead to a huge rise.
     
    1:45125 BPM
  10. Team Up
    Team Up4291/10
    Harry Lightfoot (PRS)
    Minimalistic tribal percussion layers with claps, shakers, bongos, driving marching band style with sticks, timbales towards a massively exciting Carnival inspired back end build.
     
    1:24120 BPM
  12. City Vibe
    City Vibe4291/12
    Harry Lightfoot (PRS)
    Clicky snaps, upbeat stomps and breaths drive this sunshine fun time track; ticking beats keep time at a brisk pace.
     
    1:44107 BPM
  14. California Split
    California Split4291/14
    Martyn Corbet (BMI)
    Smart bass-led funk groove pairs with hard-hitting percussion for an intrigue-friendly high-style heist setting; builds with big drum accents, Cajon, taiko, bongos and sound design for a driving climax.
     
    1:53129 BPM
  15. Snapshot
    Snapshot4291/15
    Stuart Roslyn (PRS)Matthew Foundling (PRS)
    Lively ticking percussion with reverse hi hats creates a light tension montage energy; seat belt clicking, clock ticking, distorted rumbling FX layer for building excitement driving to a wild and fun climax.
     
    1:59130 BPM
  16. Making Moves
    Making Moves4291/16
    Harry Lightfoot (PRS)
    Midtempo funky groove ticks strict time with layers of brushed snare drum, bongos, clicks, hi hat, wood block, shaker, congas, claps, cowbell, cymbals, and rods; builds with bigger percussion accents and booms, swelling with a massive rise.
     
    2:16120 BPM
  17. Quick Step
    Quick Step4291/17
    Stuart Roslyn (PRS)
    Stadium stomping, cheerleading, drill team beats! Fun, upbeat rhythm with tambourine accents over a driving, crunchy distorted bass line melody bringing a little quirky tension as the excitement ramps up to a massive outro.
     
    2:06113 BPM
  18. Hang Tough
    Hang Tough4291/18
    Stuart Roslyn (PRS)Matthew Foundling (PRS)
    Sucked back kick bass drum beats, claps, stomps, triangle and twinkly bells set a rhythmic, but fun danger tone; breaks to syncopated rhythm with knocks and bass drums with a rise to build.
     
    1:59105 BPM
  19. Eyes on Target
    Eyes on Target4291/19
    Harry Lightfoot (PRS)
    Syncopated, funky beats layer with claves, wood block, bass booms, handclaps, and rim tapping, laying down an irresistible mid-tempo groove; look good, feel good, steady walking with rhythmic swagger. End it all with crash mutes.
     
    1:42110 BPM
  20. In the Game
    In the Game4291/20
    Harry Lightfoot (PRS)
    Confident rock drum backbeat drives steadily until claps layer in with a cabasa, maracas and ride cymbal bell hits, building a funky, fun rhythm.
     
    1:38120 BPM
  21. Immersive
    Immersive4291/21
    Stuart Roslyn (PRS)
    Cool, modern percussion, layers of bass, claps and cymbals set a darkly seductive, brooding tone; distant sirens, air horns and huge alarm swells build with the driving drums for an exciting back end.
     
    1:57140 BPM
  22. One in a Million
    One in a Million4291/22
    Stuart Roslyn (PRS)
    Irresistible rhythms of fast clap stomping beat; bongos layer in to drive the wild frenzy, with breakdowns of cool bass blasts and booms still don't stop the groove; huge airy rise kicks off a fun, exciting back end.
     
    1:58130 BPM
  23. The Man for the Job
    The Man for the Job4291/23
    Harry Lightfoot (PRS)
    Attention! Military snares layer with rimshots, a comic ticking and stick accents; a dirty bass groove winds beneath, and the situation is about to get serious.
     
    2:12115 BPM
  24. Make the Call
    Make the Call4291/24
    Harry Lightfoot (PRS)
    Ticking clock counts down to game time as the excitement builds with big drum accents, steady claps, shakers, tambourine and cool large metal percussion ensemble fills; builds with marching band snares.
     
    1:45125 BPM
  25. Feel It
    Feel It4291/25
    Stuart Roslyn (PRS)
    Jazzy cymbals and a swinging beat set a smart, mid tempo intro; big tom accents create moments for jokes or graphics.
     
    1:4995 BPM
  26. She Who Dares
    She Who Dares4291/26
    Harry Lightfoot (PRS)
    Slick stick tapping, guiro strokes, hand clapping, ride pings and a steady left hand piano ostinato drives a confident intro; a changeup with congas, shakers, timbales, cymbals and cabasa creates a moment of intrigue until the piano groove returns.
     
    1:5791 BPM
  28. Hands Down
    Hands Down4291/28
    Martyn Corbet (BMI)
    Sub bass beat drives a cool, club groove; modern electronic percussion and drum machine layers with ticking metallics, snaps, sound design, sticks, clicks and 808s, creating a retro-futuristic vibe.
     
    2:09124 BPM
  29. Step Up
    Step Up4291/29
    Stuart Roslyn (PRS)Matthew Foundling (PRS)
    Dancey synth beat layers with rhythmic snaps and claps, hypnotic, melodic flute slaps, box and bucket slams, and kitchen pan clangs; footsteps lead a lively walking pace with snare rolls, building to a fun, stabbing climax.
     
    1:55127 BPM
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