Chrome Over Brass 2

Album ANW 4291Chrome Over Brass 2

Stuart Roslyn (PRS) | Matthew Foundling (PRS) | Paul Dinletir (ASCAP) | Daniel Tauber (ASCAP) | Harry Lightfoot (PRS) | Martyn Corbet (BMI)

Lively drum kits, twisty bass grooves and subtle sound design designed to bring humour and energy to your project.

  2. Roll the Dice
    Roll the Dice4291/2
    Paul Dinletir (ASCAP)Daniel Tauber (ASCAP)
    Snaps, jangling coins and a light, jazzy beat set a money-grubbing tone; driving toms kick in as the excitement builds on Wall Street; a huge rise and relentless snare rolls fuel the frenzy of the back end - will it be heads or tails?
     
    1:15120 BPM
  3. Keep It Cool
    Keep It Cool4291/3
    Harry Lightfoot (PRS)
    Drumstick ticking time meets funky metal percussion and low end trash cans, building to a high energy swell; the neighborhood joins in with hand claps, shakers, bongos as a rise builds a quick whoosh out.
     
    1:29120 BPM
  4. Canary
    Canary4291/4
    Martyn Corbet (BMI)
    Rio calling! High energy rhythms, cajons, taikos, surdos, castanets, booming bass drums, timpanis, repinique beats, African shakers and fast tom fills lead the parade; samba funk builds an epic groove including timbales, triangles and cowbells.
     
    1:36128 BPM
  5. Winner's Circle
    Winner's Circle4291/5
    Stuart Roslyn (PRS)
    A funky groove laid down by cymbals, hand claps, clanging bells, wood blocks and stomping floor tom builds to a full on staunch with massive low end and big fills.
     
    2:14120 BPM
  6. The Mark
    The Mark4291/6
    Harry Lightfoot (PRS)
    Quick, exciting global drum kit beat ticks time with booming stomps, brisk sticks, distorted hits and FX, driving bongos, taikos, congas, and hand claps; back end builds together with an intense airy rise.
     
    1:13140 BPM
  7. Instigator
    Instigator4291/7
    Martyn Corbet (BMI)
    A steady march of boots on the ground, with drum corps snares and concert bass drums keeping a relentless pace; rhythm builds with layers of tribal percussion: sticks, beggar drums, dumbeks, frame drums and electro kicks lead to a huge rise.
     
    1:45125 BPM
  10. Team Up
    Team Up4291/10
    Harry Lightfoot (PRS)
    Minimalistic tribal percussion layers with claps, shakers, bongos, driving marching band style with sticks, timbales towards a massively exciting Carnival inspired back end build.
     
    1:24120 BPM
  12. City Vibe
    City Vibe4291/12
    Harry Lightfoot (PRS)
    Clicky snaps, upbeat stomps and breaths drive this sunshine fun time track; ticking beats keep time at a brisk pace.
     
    1:44107 BPM
  14. California Split
    California Split4291/14
    Martyn Corbet (BMI)
    Smart bass-led funk groove pairs with hard-hitting percussion for an intrigue-friendly high-style heist setting; builds with big drum accents, Cajon, taiko, bongos and sound design for a driving climax.
     
    1:53129 BPM
  15. Snapshot
    Snapshot4291/15
    Stuart Roslyn (PRS)Matthew Foundling (PRS)
    Lively ticking percussion with reverse hi hats creates a light tension montage energy; seat belt clicking, clock ticking, distorted rumbling FX layer for building excitement driving to a wild and fun climax.
     
    1:59130 BPM
  16. Making Moves
    Making Moves4291/16
    Harry Lightfoot (PRS)
    Midtempo funky groove ticks strict time with layers of brushed snare drum, bongos, clicks, hi hat, wood block, shaker, congas, claps, cowbell, cymbals, and rods; builds with bigger percussion accents and booms, swelling with a massive rise.
     
    2:16120 BPM
  17. Quick Step
    Quick Step4291/17
    Stuart Roslyn (PRS)
    Stadium stomping, cheerleading, drill team beats! Fun, upbeat rhythm with tambourine accents over a driving, crunchy distorted bass line melody bringing a little quirky tension as the excitement ramps up to a massive outro.
     
    2:06113 BPM
  18. Hang Tough
    Hang Tough4291/18
    Stuart Roslyn (PRS)Matthew Foundling (PRS)
    Sucked back kick bass drum beats, claps, stomps, triangle and twinkly bells set a rhythmic, but fun danger tone; breaks to syncopated rhythm with knocks and bass drums with a rise to build.
     
    1:59105 BPM
  19. Eyes on Target
    Eyes on Target4291/19
    Harry Lightfoot (PRS)
    Syncopated, funky beats layer with claves, wood block, bass booms, handclaps, and rim tapping, laying down an irresistible mid-tempo groove; look good, feel good, steady walking with rhythmic swagger. End it all with crash mutes.
     
    1:42110 BPM
  20. In the Game
    In the Game4291/20
    Harry Lightfoot (PRS)
    Confident rock drum backbeat drives steadily until claps layer in with a cabasa, maracas and ride cymbal bell hits, building a funky, fun rhythm.
     
    1:38120 BPM
  21. Immersive
    Immersive4291/21
    Stuart Roslyn (PRS)
    Cool, modern percussion, layers of bass, claps and cymbals set a darkly seductive, brooding tone; distant sirens, air horns and huge alarm swells build with the driving drums for an exciting back end.
     
    1:57140 BPM
  22. One in a Million
    One in a Million4291/22
    Stuart Roslyn (PRS)
    Irresistible rhythms of fast clap stomping beat; bongos layer in to drive the wild frenzy, with breakdowns of cool bass blasts and booms still don't stop the groove; huge airy rise kicks off a fun, exciting back end.
     
    1:58130 BPM
  23. The Man for the Job
    The Man for the Job4291/23
    Harry Lightfoot (PRS)
    Attention! Military snares layer with rimshots, a comic ticking and stick accents; a dirty bass groove winds beneath, and the situation is about to get serious.
     
    2:12115 BPM
  24. Make the Call
    Make the Call4291/24
    Harry Lightfoot (PRS)
    Ticking clock counts down to game time as the excitement builds with big drum accents, steady claps, shakers, tambourine and cool large metal percussion ensemble fills; builds with marching band snares.
     
    1:45125 BPM
  25. Feel It
    Feel It4291/25
    Stuart Roslyn (PRS)
    Jazzy cymbals and a swinging beat set a smart, mid tempo intro; big tom accents create moments for jokes or graphics.
     
    1:4995 BPM
  26. She Who Dares
    She Who Dares4291/26
    Harry Lightfoot (PRS)
    Slick stick tapping, guiro strokes, hand clapping, ride pings and a steady left hand piano ostinato drives a confident intro; a changeup with congas, shakers, timbales, cymbals and cabasa creates a moment of intrigue until the piano groove returns.
     
    1:5791 BPM
  28. Hands Down
    Hands Down4291/28
    Martyn Corbet (BMI)
    Sub bass beat drives a cool, club groove; modern electronic percussion and drum machine layers with ticking metallics, snaps, sound design, sticks, clicks and 808s, creating a retro-futuristic vibe.
     
    2:09124 BPM
  29. Step Up
    Step Up4291/29
    Stuart Roslyn (PRS)Matthew Foundling (PRS)
    Dancey synth beat layers with rhythmic snaps and claps, hypnotic, melodic flute slaps, box and bucket slams, and kitchen pan clangs; footsteps lead a lively walking pace with snare rolls, building to a fun, stabbing climax.
     
    1:55127 BPM
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