Album ANW 4287Burn Point

Clenched like a fist poised to explode, these epic hybrid tracks evolve from simple motifs. Expect pulsing layers of anticipation.

28 tracks

One Way Trip4287/1
Stuart Roslyn (PRS)
2 mixesRhythmic pings set a motivating beat while focused male hums and big, stomping, syncopated drums drive the anticipation and energy forward; swells up to a massive back end with dramatic inspiration - work hard, win the fight, achieve goals

2:37132 BPM
I Am the Shield4287/3
Sergiu Muresan (PRS)
2 mixesTense strings layer with a mysterious piano motif, distant pings and synth arpeggios for a modern sci-fi intro; builds rhythmically with steady, pounding percussion and driving strings to a slow burning, bold, dramatic orchestral climax with choir

2:54120 BPM
A Thing of Dread4287/5
Kevin Rix (ASCAP)
2 mixesDistorted synth tones mix with a menacing bass pulse, a slow burning digital dance that builds in tension and anticipation as the drums layer in, the back end slams in with massive futuristic sci-fi dramatic power and epic scope

3:39110 BPM
Rusted4287/7
Hannu Honkonen (TEOSTO)Sergiu Muresan (PRS)
2 mixesMysterious retro synth arpeggios swirl over drifting drones and brass swells, slowly building in dangerous anticipation and sci-fi dramatic tension with signature brass blasts, choir, sliding tones and a massive, darkly anti-heroic orchestral build

2:38107 BPM
Ending Wars4287/9
Cody Still (BMI)
2 mixesTense, minimal strings climb the scale while synths and sound design create an icy, alien atmosphere; brass blasts break the slow build, with stomping drum clusters and a darkly heroic choir. The city is in danger which Megatropolis has never seen.

2:55107 BPM
Nothing to Prove to You4287/11
Mark Petrie (ASCAP)
2 mixesMysterious, minimal piano intro plays an anticipatory motif; building with layers of dark brass blasts and racing string arpeggios, swelling to a sweeping, tense but slow anti-heroic lush orchestral back end with choir. Could our villain really win?

3:17108 BPM
Full Force of a Star4287/13
Stuart Roslyn (PRS)Matthew Foundling (PRS)
3 mixesMinimal, breathy vocalizations create an alien-like language while strings set a calm tone; as the piano and brass swells help the slow build progress, drums and synth arpeggios drive the back end with orchestra and choir to a place of sci-fi glory

3:17120 BPM
Ignition Cell4287/16
Martyn Corbet (BMI)
2 mixesRhythmic piano and low synth bends set a restless intro, as strings layer with an ethereal vocal to drive a sense of wonder, building a sci-fi anticipation and heroic discovery, with soaring brass over orchestra, choir and pounding drums

2:34118 BPM
Higher, Further, Faster4287/18
Cody Still (BMI)
2 mixesWarm piano plays over minimal pads; optimistic intro with anticipation of future greatness; as brass swells over strings, the bold, heroic nature of the cue comes forward, racing with synth arpeggios, full orchestra and choir to a massive back end

2:58101 BPM
We Can't Do This Without You4287/20
Harry Lightfoot (PRS)
2 mixesMinimal piano intro plays an anticipatory motif as a ticking percussion layers in; strings swell as a synth pulse drives the burning build towards a moment of evolution; guitars and percussion rise to a heroic full orchestral back end with choir

4:14120 BPM
Humanity Defined4287/22
Daniel Olson (BMI)
2 mixesLight, warm piano intro with subtle synth pads swell up with strings and brass swells; as the sun gradually rises on a new day, inspiration is everywhere as the orchestra bursts open with choir, celebratory percussion and a massive back end climax

2:40134 BPM
Teach Me4287/24
Thomas Habuda (BMI)
2 mixesIntrospective piano plays a gentle motif over a lush synth pad and distorted vocal swells; as tension evolves, strings and urgent drums push the serious brass, choir and full orchestral theme to a place of hard-fought victory, but at what cost?

3:1688 BPM
No Better Than the Bad Guys4287/26
Stuart Roslyn (PRS)Matthew Foundling (PRS)
2 mixesMysterious piano reverses layer with a ticking clock; piano motif and string ostinatos layer with synth arpeggios setting a futuristic sci-fi tone, until the calm is broken by massive pounding drums, choir and orchestra ascending to an epic climax

2:57120 BPM
Always Angry4287/28
Greg Townley (ASCAP)
Minimal synth pads with soft piano chords build slowly with a steady synth pulse and subtle percussion until a long rise swells up and massive, distorted synth drops bend over metallic drums for an exciting, yet dramatic sci-fi action build

2:3190 BPM
Learning the Truth4287/29
Cody Still (BMI)
2 mixesSynth pads with chiming bells and low brass set a mysterious, yet warm intro, swelling with strings and futuristic pulses, drum accents and serious brass; the back end turns to a slow burning heroic theme with full hybrid orchestra and bold choir

2:57120 BPM
Look to the Sky4287/31
Stuart Roslyn (PRS)Matthew Foundling (PRS)
3 mixesHaunting female vocal pulsing loops weave a rhythm over synth arpeggios, strings and soft booms; a piano break, the back end bursts open with pounding drums, a full, sweeping, dramatic orchestra, climbing brass, and a majestic choir to huge climax

3:0792 BPM
Break the Barrier4287/34
Hannu Honkonen (TEOSTO)
2 mixesDark synths bend over an intensifying synth pad, driving strings and brass set a serious sci-fi tone; as the tempo builds, drum clusters pound a dangerous beat, signaling a huge orchestral and choir climax with a fall at the end as hope fades

2:5894 BPM
Subservient4287/36
Ciaran Birch (IMRO)
2 mixesTense, minimal intro with ominous low booms and low brass bends; dark strings building with massive drum clusters, evil brass and a long rise, bursting open with a massive back end, a huge choir and ominous brass, big stabs and a piano button

3:08107 BPM
Stand and Fight4287/38
Martyn Corbet (BMI)
2 mixesTense synth pads with low booms and percussion set a dark atmosphere; warm piano chords layer in until the strings and synth pulses drive the adventure forward. Massive choir and orchestra blasts the back end climax open with huge brass and drums

2:46120 BPM
Folding Time4287/40
Jack Trammell (ASCAP)
2 mixesLow brass bends over a rhythmic, ticking piano and ominous synth pads; quick synth ostinatos over lush strings and drums, balancing excitement with emotion - a race against the clock with a huge orchestral and choir climax

2:2497 BPM
Designed to Save the World4287/42
Kevin Rix (ASCAP)
Low, distorted synth pulses weave with high digital tones for a rhythmic intro; strings and pounding percussion propel the serious anticipation, as the hybrid orchestra swells in the back end builds with brass, lifting to an epic, dramatic climax

3:33100 BPM
The Point of No Return4287/43
Steffan Koch (ASCAP)
Minimal, ominous distorted piano strikes set a dangerous intro as a low synth bass pulse creeps in; the darkness takes over as the cello and low brass swells come in, leading to a solo cello surrounded by relentless drums and deadly low end stabs

3:09110 BPM
Coming to End It All4287/44
Greg Townley (ASCAP)
A mysterious intro swell leads to a soft, peaceful acoustic guitar and warm piano motif. A driving synth pulse, pounding drums and a dramatic, yet exciting piano layer with a lush orchestra, building to an epic, sweeping, stabbing back end

2:1391 BPM
Fighting Back4287/45
Stuart Roslyn (PRS)Matthew Foundling (PRS)
3 mixesA driving synth pulse races over a mysterious pad with sliding FX and slicing hits; strings and drum clusters; anticipation builds. Brass leads a lush hybrid orchestra with a soaring female solo vocalist and bold choir to a dramatic back end climax

2:45125 BPM
Climb Together4287/48
Hannu Honkonen (TEOSTO)
2 mixesDramatic string pads and warm piano intro; strings and synth bends build a sci-fi and emotional tone with strings and swelling brass; anticipation builds to blast of percussion and a tragic brass theme emerges, with hybrid orchestra and lush choir

3:14110 BPM
We Will Get Through This4287/50
Harry Lightfoot (PRS)
2 mixesTicking percussive rhythm weaves with emotional piano and guitar ostinatos and a dramatic motif, swelling with percussion rolls and swelling brass; an airy swell leads to a triumphant, huge orchestral back end with inspirational brass and choir

3:56120 BPM
Keys to the Past4287/52
Sergiu Muresan (PRS)
4 mixesA sensual vocal sample mix with synth pads and piano sets an ethereal intro; futuristic pulsing with ticking swells up to a lush, driving slowly build with pounding drum clusters, rich brass, full orchestra and choir to dramatic, emotional climax

3:00128 BPM
Ubiquity4287/56
Stuart Roslyn (PRS)
3 mixesSlightly distorted light piano motif mixes with tweaked vocal layering with synth arpeggios and string pads; swells up to a powerful, pounding crescendo with strong male vocalese; emotional and cathartic, rising from tragedy, scarred, but intact

2:56120 BPM

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